AT ARROYO DEL TAJO, NEAR SOCORRO, NEW MEXICO, TUESDAY, APRIL 19, 2022.

Going With The Flow —  Spring 2022 Rock Art Trip  (Part 1)

Prologue…

For quite some time I have entertained the notion that someday I would take a raft trip down the San Juan River and see some of the rock art and archaeology along that corridor, including sites south of the river on Navajo Reservation land.  Although I had been to the Bluff Area many times, I just never got around to looking into a raft trip.  That changed in early 2022 when I started poking around on the internet trying to figure out the best outfit to take an archaeology based trip with on the San Juan River.  As I recall, I googled San Juan River Raft Trip and petroglyphs and up popped the website of Tsé Kooh Outfitters, and the specifics on their “Water and Rocks” trip scheduled for late April of 2022.  When I read “Join Tsé Kooh Outfitters and recognized archeologist, rock art specialist and author Carol Patterson…” it looked to me like this is just the trip that I had been looking for.  Of course, I knew Carol Patterson by reputation and had read some of her work, so I was certainly excited about the possibility of going on this trip.  I contacted Cody Little, owner of Tsé Kooh and in short order signed up for the trip.  Cody indicated that in addition to Carol Patterson there would be other archaeologists on the trip and that some of them were going to be doing some research into the acoustical characteristics and anomalies of some of the sites that we would be visiting.  He also stated that he had permits to hike up Chinle Wash on the Navajo Reservation and I found that prospect quite intriguing. 

With the Tsé Kooh rafting trip set as the crown jewel of the trip, I began to fill in the details of the time I would be spending on the way up and back to the Four Corners/Bluff area.  There were a number of sites that I wanted to visit along the way so I began planning in earnest.  In short order, I had the trip pretty much planned and reservations and arrangements in place.  What follows is my account of this trip.  I have divided my blog into four parts, as follows:  1) Getting There; 2) A Few Days in Bluff; 3) Water and Rocks Rafting Trip; and 4) The Trip Home.  I hope you get a sense of the many wonderful people and places I experienced on this trip through my words and photographs.  So, without further fanfare, here we go!

 

Part 1 — Getting There

Easter Sunday, April 17, 2022 —  Birding at South Llano River State Park

This trip officially began on Easter Sunday, April 17, 2022.  I attended church that morning with Dorothy at First Methodist in New Braunfels and hit the road right after the service.  I knew that I was going to be missing most of the migratory songbird Spring season, so I decided to make a stop at South Llano River State Park (SLRSP) in Junction to see if I could meet any new birds.  I arrived at the park just after noon and checked in at the Visitor’s Center.  When I asked if any good birds were being seen, one of the park rangers said that she had seen a Golden-cheeked Warbler on a trail near the center on the prior Thursday.  I didn’t really want to take the time to hike the trail she mentioned, so I decided to head over to the Agarita Blind.  I was there for just under an hour, and, much to my amazement I watched and photographed two life birds:  a Golden-cheeked Warbler and a Spotted Towhee.  What an amazing start to my trip! 

THE BEGINNING OF THE SHORT TRAIL THAT LEADS TO THE AGARITA BLIND AT SOUTH LLANO RIVER STATE PARK.
THE GOLDEN-CHEEKED WARBLER IS A VERY RARE BIRD THAT ALMOST NEVER VISITS A BLIND...IT WAS MY LUCKY DAY!
THIS SPOTTED TOWHEE WAS NOT SHY, AND I GOT A NUMBER OF VERY GOOD LOOKS AT THIS BEAUTIFUL BIRD.

I left the park just before 1:00 p.m. and stopped at Lum’s BBQ in Junction and picked up a little brisket for my lunch.  I then hit the road in earnest and traveled 320 miles along IH-10 to Van Horn, Texas where I spent the night. 


Monday, April 18, 2022 —  Alamo West, Desert Oak BBQ, and China Draw

I left Van Horn at 6:00 a.m. the next morning and was turning north toward Alamo Dam out of Fort Hancock while it was still dark.  By the time I parked at the east end of the dam the sun was up and I was raring to go hiking.  My goal was to find “The Story Teller” Panel, which, as I understood it, was located behind the east end of the large earthen dam.  On a previous trip I had explored the area in front of the west end of the dam (which included a large number of petroglyphs and pictographs) but ran out of time to look for “The Story Teller” Panel.  I spent the next several hours traversing some pretty tough terrain (no trails here!) without finding a single petroglyph, much less “The Story Teller”.  Eventually I hit a fence and had to turn back. 

THE SUN WAS JUST COMING UP AS I PARKED AND BEGAN EXPLORING NORTH OF THE EAST END OF ALAMO DAM.
THIS WAS STARKLY BEAUTIFUL COUNTRY BUT SURPISINGLY RUGGED, WHICH MADE FOR SLOW GOING AND LOTS OF BINOCULAR WORK, LOOKING FOR PETROGLYPHS THAT JUST WEREN'T THERE.
THIS IS THE FENCE WHERE I FINALLY TURNED BACK. I NEVER CROSS A FENCE WITHOUT PERMISSION.

I must admit, I was a tad discouraged that I had spent several hours and a lot of energy with nothing to show for it, but all was not lost.  My friend Matt R. had asked me about a location west of Alamo Dam that was listed as a petroglyph site on, of all places, Google Maps.  I had plotted a course to this location and found it without much trouble, and, sure enough, it was a pretty nice petroglyph site.  I spent a couple of hours exploring the area before saying good-bye to Alamo Dam and Alamo Canyon (for the time being anyway…I shall return someday and find “The Story Teller”!). Here are a few of the photos I took of the petroglyph site I am calling “Alamo West”.  For a gallery of more photos that I took at Alamo West, look here. 

A LOVELY PANEL WITH A NUMBER OF WELL EXECUTED AND INTERESTING ELEMENTS. PERFECT PATINA!
ANOTHER VERY BUSY PANEL. THE LOCATION MAKES IT VERY DIFFICULT TO PHOTOGRAPH.
SOME INTERESTING ZOOMORPHS ON THIS ONE.

After my visit to Alamo West, I made my way back to IH-10 and continued west to El Paso.  I made a quick stop at Desert Oak Barbeque for lunch.  How could I pass up the western-most Texas Monthly top 50 joint?  Look here for my review of Desert Oak on my BBQ Blog. 

TEXAS MONTHLY CALLS DESERT OAK "DIMINUTIVE"-- I JUST SAY TINY!

With my belly full of marginal BBQ and my failures at Alamo Canyon behind me, I headed to China Draw, a petroglpyh site north of Deming, New Mexico.  I didn’t really know what to expect at this site and but I was pleasantly surprised at what I found.  The China Draw site is not far from the Pony Hills and Frying Pan Canyon sites and you can see the similarities between the three sites.  China Draw is not as large as Pony Hills or Frying Pan, but has one really nice boulder that is completely covered with petroglyphs.  There is also an unusual feature that consists of six bedrock grinding mortars arranged going up a natural walkway of sorts.  It looks to me like it might be a small ritual site.   Look here for a more complete gallery of the photos I took at China Draw and a short video of the “Ritual Stairway” feature.  After exploring and having a nice little hike, I headed to Truth or Consequences (by way of the quirky little town of Hatch) where I spent the night.   

THIS IMPRESSIVE BOULDER AT CHINA DRAW IS LITERALLY COVERED WITH PETROGLYPHS.
I ALSO FOUND A UNIQUE FEATURE AT CHINA DRAW -- SIX BEDROCK GRINDING MORTARS THAT CLIMB A NATURAL STAIRCASE OF SORTS.
HATCH, NEW MEXICO, IS FAMOUS FOR IT'S CHILES AND IS KNOWN AS THE CHILE CAPITOL OF NEW MEXICO.
LOTS OF FOLK ART ALONG THE MAIN DRAG IN HATCH, INCLUDING THIS AIRSTREAM INSTALLATION.

Tuesday, April 19, 2022 — Arroyo Del Tajo, Lobo Canyon and Ventana Arch at El Mapais

As is my custom, I was up early on Tuesday morning April 19, 2022, excited to be heading toward the Arroyo Del Tajo pictograph site.  I enjoyed the drive out to the site on the Quebradas National Back Country Byway and the fairly short hike down to the site.  I was not sure what I was expecting — I had read reports that the site has suffered much damage from natural causes over the last few years.   When I reached the site, that is exactly what I found.  I am glad I made time to visit, because I am afraid that there won’t be much left at all with the passage of more time and more weathering. 

THE ROAD TO THE SITE WAS IN PRETTY GOOD SHAPE AND I ENJOYED THE SCENIC DRIVE, WHICH GOT BETTER AND BETTER AS I GOT CLOSER TO THE SITE.
I SPOTTED A PAIR OF BEAUTIFUL GAMBEL'S QUAIL ON THE DRIVE TO THE SITE.
ONE OF THE BEST PRESERVED PICTOGRAPHS AT ARROYO DEL TAJO.
THIS PAIR OF PICTOGRAPHS ARE REALLY BEGINNING TO SUFFER FROM THE WEATHERING AT THE SITE.

I had very mixed feelings about the Arroyo Del Tajo site.  On the one hand, I was happy I got around to seeing it.  On the other hand, the damage, although from natural causes, was disheartening and depressing.  If you want to see anything at all at this site, you better do it soon.  To see a gallery that includes more photos that I took at Arroyo Del Tajo, look here.

After I finished at Arroyo Del Tajo and hiked back up to my car, I decided to stop by Abo Pass and try to locate some of the pictographs that are supposed to be there.  I wasn’t able to locate the site on my last visit to the area, but this time I was pretty sure I knew exactly where it was.  What I found was another site that had been ravaged —  this time it came at the hand of thoughtless people and natural weathering.  Although near the highway, you can’t get very close, but I was able to see the remains of some of the old pictographs with my long lens.  The amount of grafitti at this site is staggering and disgusting.  I would, however, like to take a closer look someday, and perhaps walk along the base of the cliff and some of the ledges to get a better idea of just how much of the art remains.  To see more of my pictures from Abo Pass, look here.

MY OUTBACK, PARKED ACROSS THE HIGHWAY FROM THE CLIFFS THAT CONTAIN THE ABO PASS PAINTED ROCKS.
NOTE THE LARGE RED ANTHROPOMORPH TO THE RIGHT OF THE BLACK PAINT GRAFITTI.
ONCE AGAIN, YOU SEE REMNANTS OF THE PAINTED ROCKS AMONG THE GRAFITTI AT ABO PASS.

From Abo Pass, I headed north and west to the El Mapais National Monument, located south of Grants, New Mexico.  I had never been to this scenic and rugged area —  I am very glad I took the time to see this dramatic landscape.  My primary objective was a visit to the petroglyph site in the Lobo Canyon area of the Monument.  I thoroughly enjoyed the drive south through the Monument, and eventually made it to the Lobo Canyon trailhead late in the afternoon.  After a short hike that passed through a deep, sandy wash (dry, thank goodness!) I reached the site.  I was not disappointed by the well executed elements of the three large panels of petroglyphs.  For a gallery of all the photos I took of the Lobo Canyon petroglyphs, look here.  

SIGNAGE AT THE LOBO CANYON TRAILHEAD IN EL MAPAIS. THE PETROGLYPH SITE IS AT THE BOTTOM OF THE RIDGE IN THE BACKGROUND.
TWO OF THE OUTSTANDING PETROGLYPH PANELS AT THE LOBO CANYON SITE.
THIS UNIQUE TRIANGULAR SHAPED ROCK WAS IN FRONT OF THE PETROGLYPH PANELS. NOTE THE BEDROCK GRINDING MORTAR ON THE VERTICAL FACE NEAR THE TOP OF THE ROCK-- INTERESTING!!

I had originally planned to visit another site named Aldridge Point which is located in Sand Canyon several miles from Lobo Canyon.  Since I was looking at a much longer hike over unfamiliar territory and shadows were already beginning to overtake the canyons, I decided not to try to hike to the Aldridge site, convinced I would end up hiking in the dark.  So I headed back north out of the Monument, making a quick stop at Ventana Arch to photograph the sun setting on this magnificent arch.  I then drove to Santa Fe, where I spent the night. 

LA VENTANA, ONE OF THE LARGEST ARCHES IN NEW MEXICO. IT WAS BEAUTIFUL AS IT WAS ENVELOPED BY THE EARLY EVENING SHADOWS.
YOURS TRULY, IN FRONT OF VENTANA ARCH IN EL MAPAIS NATIONAL MONUMENT. APRIL 19, 2022.

Wednesday, April 20, 2022 —  Randall Davey Audubon Center, Santuario de Chimayo, Navajo Dam and Lake, and Simon Canyon Pueblito

 

I awoke Wednesday morning in one of my favorite places on earth —  Santa Fe, New Mexico.  I decided to change things up a bit and headed over to the Randall Davey Audubon Center for a hike and some bird watching. It was a brisk morning, cool and windy.  I had a nice hike and enjoyed the beautiful morning.  I didn’t see many birds, but that was fine with me– it was the kind of morning that makes you supremely happy just to be alive!  When I got back home, with the aid of my trusty Merlin App, I realized that I had watched and photographed a pair of Red-naped Sapsuckers, which were life birds for me and I was supremely happy to add them to my life list along with the Golden-cheeked Warbler and the Spotted Towhee I had seen at SLRSP on the first day of my trip.

I ENJOYED HIKING AT THE RANDALL DAVEY AUDUBON CENTER. THE DRIVE ALONG THE THE SANTA FE RIVER ON UPPER CANYON ROAD WAS ALSO SCENIC AND DELIGHTFUL!
ONE OF THE BEAUTIFUL RED-NAPED SAPSUCKERS I WATCHED AND PHOTOGRAPHED AT THE RANDALL DAVEY AUDUBON CENTER IN SANTA FE.

Energized from my morning hike at the bird sanctuary, I headed for Santuario de Chimayo. I had decided to visit Chimayo the night before as I was looking at my New Mexico map.  I had two purposes in mind for this visit.  First, I wanted to eat lunch at Rancho de Chimayo, a very good restaurant that Dr. Britt Bousman had taken our Cross Bar Ranch Field School participants to back in 2017.   But the main reason I wanted to visit Santuario de Chimayo was of a spiritual nature.  Several years ago I had seen (or read, I honestly can’t remember which) something about the miraculous healing properties of the holy dirt at this sacred site.  My mother-in-law (Betty Dardeau) is Catholic and had been suffering a number of physical maladies associated with her advanced age and was not in very good spirits these last several years.  So I wanted to visit this shrine and hopefully procure some of the Holy Dirt to take back to Betty.  I really didn’t know what to expect, but I was blown away by the Santuario’s size, scope, and by the number of people that were visiting on the afternoon that I was there.  I had no idea that it was one of the premier pilgrimage sites in North America.  So, I spent several hours there.  I walked the grounds, which I found very interesting.  I also spent some time meditating and praying in the main chapel.  And, as per my original mission, I visited the “Dirt Room” and dug some Holy Dirt to take home to my sweet mother-in-law.  I left refreshed, rejuvenated, and grateful for the many Blessings in my life.

THE MAIN CHAPEL AT CHIMAYO. THE ENTRY TO THE DIRT ROOM WHERE I DUG THE HOLY DIRT IS TO THE LEFT AND TO THE REAR OF THE MAIN ENTRANCE TO THIS CHAPEL.
THIS MAP GIVES YOU SOME IDEA OF THE IMPRESSIVE SIZE AND SCOPE OF THIS PILGRIMAGE SITE.
THE "SEVEN DAYS OF CREATION" PICNIC AREA IS RIGHT BESIDE THE SANTA CRUZ RIVER...A BEAUTIFUL SPOT TO JUST SIT AND ENJOY THE PEACE AND SERENITY OF THIS SPECIAL PLACE.
NEAR THE THREE CULTURES MONUMENT AREA OF THE SHRINE THERE WERE FIVE OR SIX OF THESE LARGE STALLS COVERED WITH PHOTOGRAPHS AND OTHER ITEMS. I HAVE NO IDEA WHAT THEIR PURPOSE IS OR WHO IS ASSOCIATED WITH THESE DISPLAYS.
I PURCHASED TWO SMALL PLASTIC CONTAINERS IN THE GIFT SHOP WHICH I USED TO PUT THE HOLY DIRT THAT I DUG FROM THE DIRT ROOM IN.

After spending a couple of hours at the Shrine, I headed down the road, looking forward to some good food at Rancho de Chimayo.  Unfortunately, they were extremely busy and, after a 30 minute wait to get seated, I gave up and continued north toward Navajo Dam.  I had never visited the dam or Navajo Lake, so I made the scenic drive north and enjoyed the beautiful landscapes and quaint towns I encountered along the way.  After driving past the lake and over the dam, I made my way to the Simon Canyon Trailhead (by the San Juan River several miles below Navajo Dam).  I ended my day by hiking out to the Simon Canyon Pueblito, which I thoroughly enjoyed!  

NAVAHO LAKE AND NAVAHO DAM WERE BOTH MUCH LARGER THAN I ANTICIPATED. THE WATER AT THE LAKE WAS A BEAUTIFUL SHADE OF BLUE!
CAN YOU SEE THE DEFENSIVE PUEBLITO KNOWN AS SIMON CANYON RUIN ON TOP OF THE LARGE BOULDER IN THE DISTANCE? I TOOK THIS PHOTO FROM THE NORTH RIM OF SIMON CANYON.
THIS CLOSER SHOT OF THE RUIN SHOWS THAT IT IS IN REMARKABLY GOOD SHAPE.
IN THIS EXTREME CLOSEUP YOU CAN SEE THAT THE ROOF IS STILL MOSTLY INTACT (WITH ORIGINAL BEAMS).
SIGNAGE AT THE SITE COMES FROM A DRAWING ON PAGE 38 OF A 1987 PUBLISHED MONOGRAPH ENTITLED "DEFENSIVE SITES OF DINETAH", WRITTEN BY MARGARET A. POWERS AND BYRON P. JOHNSON.
I HAVE HIGHLIGHTED THE TOE AND HAND HOLDS THAT WERE NOTED ON THE ABOVE DRAWING AND CUT INTO THE BACK SIDE OF THE BOULDER UPON WHICH THE PUEBLITO RESTS.

Thursday, April 21, 2022 —  Day One, Dinetah Region (Largo Canyon)

As I approach my seventies, I am increasingly aware that I have to be very careful about visiting backcountry sites by myself.  So, I am constantly looking for activities that will help me avoid hiking by myself.  A while back, while roaming the internet, I ran across a reference that indicated the Salmon Ruins Museum in Bloomfield, New Mexico, gave guided tours into the Dinetah Region (Largo Canyon).  I sent a general inquiry to the museum via email and, in short order, I heard back from Tori Myers (“Archaeologist, Ceramic Specialist, Education Coordinator, Museum Curator and Research Librarian, Salmon Ruins Museum”) and she confirmed that she (through the museum) did give tours of the region.  We emailed back and forth, and eventually arranged for her to serve as my guide and companion on Thursday, April 21, 2022 and Friday, April 22, 2022.

Tori and I had agreed that we would meet at the museum at 8:00 a.m. on Thursday, April 21, 2022.  As is my custom I arrived early —  7:15 a.m. to be exact.  As I was sitting in my car waiting, I observed a female exit the museum and place something in a nearby vehicle.  I exited my car and went over and introduced myself.  Sure enough, it was Tori.  She suggested that I come in and look around the museum until it was time for us to leave.  So I spent the next thirty minutes or exploring the museum, which I found very informative and enjoyable.

I WOULD HIGHLY RECOMMEND A VISIT TO THE SALMON RUINS MUSEUM IF YOU EVER FIND YOURSELF IN THE AREA. IT IS FILLED WITH INTERESTING EXHIBITS AND ARTIFACTS.
THE SALMON RUIN IS NAMED AFTER PETER SALMON AND HIS SON GEORGE, WHO WERE HOMESTEADERS WHO PROTECTED THE SITE FROM POT HUNTERS.
THIS EXHIBIT EXPLAINS THE CONNECTION BETWEEN THE SALMON RUIN AND CHACO, WHICH IS SIXTY MILES TO THE SOUTH.
I HAVE BEEN INTERESTED IN THE CHACO ROAD SYSTEM EVER SINCE I READ CRAIG CHILD'S BOOK "HOUSE OF RAIN" SEVERAL YEARS AGO.
THIS EXHIBIT IS ABOUT THE NAVAJO DEFENSIVE PUEBLITOS IN THE LARGO CANYON AREA, SUCH AS THE SIMON CANYON RUIN WHICH I HAD HIKED TO THE DAY BEFORE.

Tori and I left the museum promptly at 8:00 a.m. and, after a stop at a local grocery store for ice and sandwiches for lunch, headed east to Largo Canyon.  We spent the morning hiking a large side canyon north of the wash.  We found no rock art until the very end of our hike (near the opposite site of the canyon) when we located a pueblito with a couple of small panels nearby.  

STANDING BESIDE THE PUEBLITO THAT WE FOUND ON OUR FIRST MORNING OF EXPLORING IN LARGO CANYON.
THIS WAS A FAIRLY LARGE PUEBLITO, WITH SEVERAL ROOMS.
THIS SMALL PETROGLYPH PANEL WAS ON A BOULDER NEAR THE PUEBLITO. A MAP PERHAPS?
THE LARGE BOULDER THAT THE PUEBLITO WAS BUILT ON HAD AN OLD PANEL THAT FEATURED A VERY NICE HANDPRINT PETROGLYPH.
ON THIS PHOTO OF THE PUEBLITO, I HAVE HIGHLIGHTED THE LOCATION OF THE HANDPRINT WITH A RED RECTANGLE.

We stopped at an old abandoned farmstead and had lunch in a nearby alcove.  Tori said there were a lot of old farmsteads in Largo — a person could claim 150 acres by building a structure and living there for five years.  Tori was able to date the farmstead between 1900 and 1920 because it had milled lumber for the door frame. 

WE ATE LUNCH IN THE ALCOVE YOU CAN SEE BEHIND THIS OLD FARMSTEAD.

After lunch, we visited a number of roadside sites, none of which were particularly memorable.  Our first stop was at an old dried up spring (protected by an old wooden fence) that had some historic art and a few very old petroglyphs.

THE DRIED UP SPRING SITE, PROTECTED BY AN OLD FENCE.
LOTS OF OLD SIGNATURES, BRANDS, AND HISTORIC ART WITH A FEW VERY OLD PETROGLYPHS SCATTERED AROUND THE SITE.
WE SAW THIS FEMALE FIGURE (OR VARIATIONS THEREOF) AT SEVERAL LOCATIONS. TORI BELIEVES THERE WAS A BROTHEL IN THE CANYON THAT GAVE RISE TO THESE TYPES OF FIGURES.
A SMALL CLUSTER OF WHAT APPEARED TO BE VERY OLD PETROGLYPHS.

Next we visited an area of canyon wall that had a variety of petroglyph styles along with the obligatory historic graffiti.  

A PAIR OF COMPLETELY PECKED CROSSED HANDS.
STANDING GUARD...
A SMALL PANEL UP HIGH.
DETAIL OF THE PANEL ABOVE.
A NICE LITTLE PANEL WITH SOME INTERESTING ELEMENTS.
THIS FIGURE WAS NEARBY THE PANEL IN THE PHOTO ABOVE.
A HODGE-PODGE OF AGES AND STYLES ON THIS ONE.

The last panel we visited Thursday afternoon was a unique pictograph panel.  It was made using a white clay, which was highly valued for its use as a “slip” on pottery.  There was a large and prominent vein of the clay very near the pictograph.  

THE WHITE CLAY PICTOGRAPH AT LARGO FEATURES A CENTRAL FIGURE WITH LONG WAVY HAIR ALONG WITH A LARGE NUMBER OF HANDPRINTS.
A PEICE OF THE CLAY THAT WAS VALUED FOR SLIP AND USED ON THE PICTOGRAPH SHOWN ABOVE.
PART OF THE VEIN OF WHITE CLAY NEAR THE PICTOGRAPH PANEL.

As we were driving back to the museum late Thursday afternoon, Tori mentioned that there were some nice basketmaker petroglyph panels on Simon Canyon Road about a mile before you get to the trailhead for the Simon Canyon Ruins.  Imagine that — I had driven right past them the day before and completely missed them!  So, instead of heading back to my motel, I drove back out to Simon Canyon Road and found the petroglyphs.  Here are a few pictures — they were nice panels indeed!  

THE LARGEST FIGURES ON THE FIRST PANEL CAN BE SEEN FROM THE ROAD IF YOU ARE REALLY LOOKING.
I COUNT AT LEAST 20 ANTHROPOMORPHIC FIGURES ON THE LEFT HAND PORTION OF THE FIRST PANEL -- AMAZING!
I COUNT AT LEAST NINE MORE ANTHROPOMORPHS ON THE RIGHT HAND SIDE OF THE PANEL FOR A TOTAL OF ALMOST 30!
THIS ZOOMED IN PHOTO SHOWS THE EQUISITE DETAIL OF THIS SMALL GROUP OF FIGURES. LOOK AT THE PERFECT MEDALLION ON THE CENTER FIGURE.
ABOUT A QUARTER MILE FURTHER DOWN THE ROAD TOWARD THE TRAILHEAD YOU FIND THIS PRETTY NICE PANEL.
A LITTLE CLOSER SHOT OF THE SECOND PANEL. THE LIGHT WAS BEGINNING TO FAIL AS I TOOK PHOTOS OF THIS PANEL.

Friday, April 22, 2022 —  Day Two, Dinetah Region (Largo Canyon)

Friday morning I arrived at the museum early again and used the time before we left to walk around the ruins on the grounds behind the museum.  

THE SALMON RUINS COMPLEX WAS MUCH LARGER THAN I ANTICIPATED.
THE RUINS HAD SOME IMPRESSIVE CHACO-STYLE MASONRY STRUCTURES, INCLUDING A NUMBER OF ROUND KIVAS.
SEVERAL PEACOCKS ADDED SOME MORNING COLOR TO THE RUINS!

We once again headed for Largo Canyon to do some more exploring.  Our first stop was in an area near the intersection of Fresno Canyon and the main wash in Largo.  This area had a large amount of historic art mixed in with some very old petroglyphs.  

THIS STRANGE LOOKING PETROGLYPH WAS THE FIRST ONE WE SAW ON FRIDAY MORNING. HISTORIC OR PRE-HISTORIC? WHO KNOWS!
ODDLY ENOUGH, THERE WERE A NUMBER OF BOXERS AND/OR BOXING SCENES DEPICTED IN LARGO.
THIS HODGE-PODGE OF A PANEL HAS A WEDDING SCENE, MULTIPLE HORSES, ALL ABOVE SOME VERY OLD LOOKING FIGURES AT THE BOTTOM OF THE PANEL.
ANOTHER "MIXED" PANEL WITH BOTH HISTORIC AND PRE-HISTORIC ELEMENTS.

Nearby was a small panel that featured two unusual handprints, surrounded by what looks like  four silhouettes of mountains.  The interior of each hand also had some interesting features present. 

LOOK AT THE HANDS CLOSELY AND YOU WILL SEE SOME INTERESTING ADDITIONS TO EACH HAND.

After exploring the area around Fresno Canyon, we crossed over the wash on a good road to look for the well known “Star Ceiling” Site.  Tori explained that Navajo “medicine” required that certain rituals must be performed when the stars (constellations) are in a certain position in the sky.  The “Star Ceiling” site was used when a ritual needed to be performed but it was the wrong time of year, thus the stars were out of position.  This site contains over 40 “stars” each represented by an “X” on the ceiling. 

TORI AT THE STAR CEILING SITE. SOMEONE HAD PUT AN OLD CHAIR INSIDE THE ALCOVE THAT CONTAINS THE STARS ON THE CEILING.
MOST OF THE "STARS" ARE PAINTED IN BLACK, BUT ARE STILL DIFFICULT TO SEE.
THIS D-STRETCH VIEW MAKES THE STARS STAND OUT.
A FEW OF THE STARS (LIKE THIS ONE, SHOWN IN D-STRETCH) ARE PAINTED IN RED.

Not far from the Star Ceiling Site we located an unusual site that I have heard described as “Two Feathered Masks”.  I could not really make out any masks, or feathers for that matter. To me, it was a strange site indeed!

DO YOU SEE ANY MASKS, OR FEATHERS?
D-STRETCH DIDN'T SEEM TO HELP WITH THIS PANEL...JUST NOT SURE WHAT TO MAKE OF IT.

We crossed back over the main wash and continued exploring in the area south of Fresno Canyon.  We came across a site that Tori called “Four Horned Yei”.  It appeared to be a very old site with a combination of petroglyphs and painted surfaces.  A very interesting little site!  On the ground in front of the site we found a Gobernador Polychrome pottery sherd.  Tori (who is a ceramics specialist) said this style typically had a red slip and black decorations and has been dated between 1580 and 1700. 

AT THE FOUR HORNED YEI SITE WHICH REQUIRES A CLIMB UP TO A NARROW LEDGE.
A CLOSER LOOK AT THE CENTRAL ELEMENT AT THE SITE. CAN YOU SEE THE FOUR HORNS?
THE AREA TO THE LEFT OF THE MAIN PANEL HAD SOME INTERESTING, AND VERY OLD PETROGLYPHS/PICTOGRAPHS.
D-STRETCH HELPS REVEAL WHAT APPEARS TO BE TWO YEI FIGURES.
THERE WERE A FEW PETROGLYPHS BELOW AND TO THE LEFT OF THE MAIN PANEL AT THE SITE.
THE GOBERNADOR POLYCHROME SHERD FROM IN FRONT OF THE FOUR HORNED YEI SITE.

We spent about an hour and a half exploring a small un-named side canyon nearby and found what I am calling the “Two Red Yeis” pictograph panel.  Per Tori, Yeis are Navajo dieties and there are literally hundreds of them.  They usually have a mask or headress and objects in one or both hands.  They also often have a wrap around kilt with a belt.  Tori said the figure at this site with the bow in its hand was known as the “Monster Slayer”, one of the hero twins.  Normally the “Monster Slayer” appears with his twin brother, “Born For Water”.  At this panel, Tori said she believes the hunched-back figure on the left is Ganaskidi, the fertility (or harvest) Yei.  This Navajo god brings fertility, and because of that is very dangerous.  He is likened to a rapist who cannot control himself.  You want him to come around, but, if he sees your wife or daughter, they might get pregnant —  quite the catch 22!

This pictograph panel was difficult to spot because it was high up on the canyon wall and from a number of vantage points was obscured by trees.  The two pictographs are very colorful and quite well preserved, with no graffiti to be found anywhere nearby.  Perhaps my favorite panel (to-date) in the Dinetah! 

THIS LITTLE PICTOGRAPH PANEL WAS DIFFICULT TO SPOT. IT WAS NOT VISIBLE FROM THE LEDGE TO THE RIGHT, WHICH I HAD WALKED IN ITS ENTIRETY.
THE PICTOGRAPHS ARE PARTIALLY PROTECTED BY A LITTLE OVERHANG ABOVE THEM.
IF YOU LOOK CLOSELY AT THIS SHOT, YOU CAN SEE THAT THERE IS ADDITIONAL ART BELOW THE TWO FIGURES. UNFORTUNATELY I COULD NOT GET CLOSE ENOUGH FOR A MEANINGFUL D-STRETCH IMAGE.
ACCORDING TO TORI, A HUNCH-BACKED YEI IS NORMALLY GANASKIDI, THE GOD OF HARVEST AND FERTILITY.
THE YEI KNOWN AS MONSTER SLAYER.

We had lunch in a shaded area near the Two Red Yei pictographs.  As we came out of the small side canyon to continue our explorations, we noticed a sand storm kicking up down canyon.  Since it was still pretty far off, we continued on and, in short order, came upon a petroglyph site that Tori called “The Medicine Man”.  The site also had a large number of several different animal tracks —  a very interesting little site!  

AFTER LUNCH, WE COULD SEE A DUST STORM HEADED OUR WAY FROM DOWN THE MAIN WASH.
THE MEDICINE MAN PETROGLYPH.
I AM WONDERING IF THIS PART OF THE PANEL MIGHT BE AN ANIMAL TRAP OF SOME SORT. IF YOU LOOK CLOSELY YOU CAN SEE SEVERAL DIFFERENT ANIMAL PRINTS, INCLUDING CAT PRINTS.
MORE ANIMAL TRACKS NEAR THE MEDICINE MAN PETROGLPYH PANEL.

We continued to walk along the canyon wall on the edge of the main wash as the dust storm continued to close in on us.  We saw a few petroglyphs mixed with historic art along the way before the dust and wind got so bad we decided the best thing to do was to call it a day.

THIS ONE LOOKED VAGUELY FAMILIAR.
THIS ONE HAS A LITTLE BIT OF EVERYTHING -- YEIS, SNAKES, GEOMETRICS, HANDPRINTS, ETC.
THE OLD SPANISH TRAIL RAN RIGHT THROUGH THIS AREA. AS A RESULT, LOTS OF HISTORIC GRAFFITI.
IN THIS CLOSE-UP, THE COWBOY WITH THE PIPE APPEARS TO BE SHAKING HANDS WITH THE PREHISTORIC FIGURE (THAT HAD A COWBOY HAT ADDED).
THIS ONE IS KNOWN AS "THE NAVAJO TRAIN".
TIME TO CALL IT A DAY!

A quick note about Morman Tea.  While we were doing our last little bit of hiking and exploring, we climbed up to a ledge to look at an old bee hive area in a small rock opening.  While we were up there, Tori pointed out a bush with small yellow flowers and said it was Mormon Tea.  She said that this plant has not changed for thousands of years and it is a powerful stimulant that was used by Brigham Young and the early Mormons.  

TORI WITH A LARGE "MORMON TEA" BUSH, UP ON A LEDGE IN LARGO CANYON.

Well, That Brings Us To The End of  “Part 1 — Getting There”…

Sorry about the length of Part 1 — it seems I packed a lot of activities into the first part of my trip on the way up to Bluff, Utah.  As is often the case, I have a number of places that I want to return to at some point in the future.  There remains much to explore at Alamo Canyon, El Mapais, and the Dinetah Region!  But for now, it is on to “Part 2 — A Few Days In Bluff”.  Click the button below to go directly to Part 2. 

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