ON THE WAY TO THE FLATIRON SITE ON THE MORNING OF FRIDAY, OCTOBER21, 2022. THE PAINTED DESERT WAS STUNNING!

Petrified!  A Fall 2022 Rock Art Trip, Part1

Prologue

For several years, I have wanted to return to Petrified Forest National Park (PFNP) and visit some of the backcountry rock art sites.  My first visit to PFNP was in December of 2017 on an impromptu rock art trip I made after the death of my sister Molly.  That visit was very brief, and I saw only roadside attractions.  My next visit to PFNP was in the Spring of 2019.  A friend and I had planned to revisit the roadside attractions and do the Martha’s Butte hike.  Unfortunately, the morning we visited the Park, a late spring storm was blowing in, so we didn’t stay very long at all.  Over the next several years, I began to research rock art sites in PFNP that were off the beaten path.  I spent quite a bit of time doing this research, and plotting hikes on my GAIA hiking app.  PFNP has a number of closed and/or restricted areas (see Petrified Forest NP Superintendent’s Compendium Maps), so part of my challenge was to plan hikes that would not encroach on these restricted areas and run afoul of park rules.  

On September 26, 2022, I received an unexpected and unwelcomed diagnosis of prostate cancer.  I was shocked and bewildered by what lay ahead for me, and I decided the best way to ease my mind and soothe my spirit was to head for the desert.   So, I pulled out my PFNP research materials, picked out some hikes that would take me about a week to complete, and headed out.  As has become my custom, I included a little birding and some other minor rock art sites on both the trip out and my return trip.  This blog is my attempt to recount what turned out to be a very satisfying and healing trip.  Part 1 covers the trip out and my time at Petrified Forest National Park.  Part 2 covers my hikes in the Sedona Area (Loy Canyon, Palatki, and Woo Ranch), my hike on the Hieroglyphic Trail, my visit to Taliesin West, and my Cave Creek Hikes.  So here we go!

 

THE TRIP OUT  (Saturday and Sunday, October 15 & 16, 2022)

I left the lake very early on the morning of October 15, 2022, and headed for Lubbock, Texas.  I had noted that there were two Texas Monthly Top 50 barbeque joints near Lubbock, so I chose to have lunch at one of them.  I had  a very nice meal at Rejino Barbeque in Olton, Texas, and continued to head west.  Shortly after leaving Olton, I spotted a beautiful Red-tailed Hawk, and he graciously allowed me to stop and take some pictures.     

ON THE DRIVE OUT, I HAD A RELAXING LUNCH AT REJINO BBQ IN OLTON, TEXAS. CLICK ON THE LINK ABOVE FOR MY CRITIQUE AND MORE PHOTOS.
THERE WASN'T A CLOUD IN THE SKY AS I WATCHED THIS BEAUTIFUL RED-TAILED HAWK AFTER HAVING LUNCH IN OLTON. LITTLE DID I KNOW THAT STORMY WEATHER LAY AHEAD!

My destination for the first day’s drive was the Sky City Casino Hotel, located off IH 40 near the Acoma Pueblo complex.  As I neared Acoma,  the temperature starting dropping and dark clouds were moving in.  I wasn’t surprised when I woke up early the next morning–  it was windy, cold, and raining.  I had planned to hike to two rock art sites in El Mapais National Monument (Aldridge Point and Dittert), but I knew that might not be possible with the bad weather.  In my experience, nothing good ever comes from the combination of bad weather and dirt roads.  So I drove to the Ranger Station in El Mapais, and was advised that the dirt road to the trailhead for Aldridge would not be passable due to the rain.  So, I went to Plan B.  I decided to park on the main road, hop a fence, and hike cross-country to Aldridge Point.  I made it about half way to the site before I had to turn around.  It had begun raining harder, and I was encountering areas in little washes that were difficult to get around.  So, I reluctantly returned to my car and drove toward the Dittert Site.  The Ranger had said that SR 41was part gravel and might be passable, and I might be able to get close enough to the site to walk in.  After driving a couple of miles off the main road, I met a large 4-wheel-drive truck on SR 41, and he said the road was really bad up ahead and he had to turn around.  I decided to do the same.  I said goodbye to El Mapais and the bad weather, and headed toward Holbrook, Arizona, where I would be spending the week. 

AS I HOPPED THE FENCE AND HEADED TOWARD ALDRIDGE POINT, THE DARK CLOUDS AND RAIN SOON PUT A STOP TO MY PLANS!

Since I had been unable to do the hikes I had planned in El Mapais, I arrived at PFNP mid-afternoon.  I decided to stop in the Park and check out the conditions.  First, I drove down to Puerco Pueblo.  The Puerco River was swollen and raging, and it was very obvious that the Park had received quite a bit of rain.  Before driving over to Newspaper Rock, I took a couple of photos of my friend “The Howling Man” from the road.  At Newspaper Rock, I took a few photos of the petroglyph boulders with my long lens (Nikon P1000). 

THE PUERCO RIVER WAS RAGING JUST BELOW THE PUERCO PUEBLO PARKING AREA.
A PHOTO OF THE HOWLING MAN THAT I TOOK FROM THE ROAD WITH MY LONG LENS.
ONE OF THE LARGE PANELS AT NEWSPAPER ROCK.
ANOTHER OF THE NEWSPAPER ROCK PANELS.
THIS COOL LITTLE PANEL WAS TUCKED AWAY FROM THE MAIN BOULDERS UP ON A CLIFF. ONE OF MY FAVORITE PHOTOS FROM THIS TRIP!

As I was driving out of the Park, I stopped at the Lacy Point pullout and hiked about a third of the way down the cliff toward the Painted Desert.  The further I went, the worse my footing got.  By the time I stopped and turned around, I was sinking almost up to my ankle with each step — not good conditions!  I climbed back up to my car and cleaned up my boots as best I could before driving to my motel in Holbrook. 

I TOOK THIS PHOTO JUST BEFORE I TURNED AROUND AND HIKED BACK UP TO THE LACY POINT TURN-OUT.


PLEASE TAKE NOTE!

PLEASE USE CAUTION WHEN HIKING IN THE BACKCOUNTRY AREAS OF PETRIFIED FOREST NATIONAL PARK.  TOPO MAPS AND/OR A GPS ARE ESSENTIAL TO PREVENT GETTING DISORIENTED AND LOST.  WITHOUT THESE NAVIGATION AIDS IT CAN BE EXTREMELY  DIFFICULT TO FIND YOUR WAY BACK TO YOUR STARTING POINT.  STURDY HIKING BOOTS AND LOTS OF WATER ARE ALSO A MUST!  BE CAREFUL OUT THERE!

PETRIFIED FOREST NATIONAL PARK HAS A NUMBER OF RESTRICTED AREAS THAT ARE CLOSED TO PUBLIC ACCESS AND THAT VISITORS TO THE PARK ARE NOT ALLOWED TO ENTER.  THESE AREAS ARE DESCRIBED IN THE PARK SUPERINTENDENT’S COMPENDIUM, WHICH ALSO CONTAINS MAPS OF THESE AREAS.  SOME OF THESE RESTRICTED/CLOSED AREAS ARE MARKED WITH SIGNS, BUT SOME ARE NOT.  PLEASE RESPECT THESE AREAS AND MAKE SURE YOU KNOW, WITH CERTAINTY, THEIR BOUNDARIES.  THESE RESTRICTIONS ARE IN PLACE TO PROTECT AND PRESERVE VALUABLE CULTURAL RESOURCES AND FRAGILE LANDSCAPES.  THE HIKES DESCRIBED IN THIS BLOG WERE PLANNED AND EXECUTED WITH GREAT CARE TO MAKE SURE RESTRICTED AREAS WERE RESPECTED AND NOT ENTERED.  PLEASE FURTHER NOTE THAT A PERSON WHO VIOLATES ANY PROVISION OF THE REGULATIONS FOUND IN 36 CFR PARTS 1-7, ALONG WITH THE PARK SUPERINTENDENT’S COMPENDIUM, IS SUBJECT TO A FINE AS PROVIDED BY LAW (18 U.S.C. 3571) UP TO $5,000 FOR INDIVIDUALS AND $10,000 FOR ORGANIZATIONS, OR BY IMPRISONMENT NOT EXCEEDING SIX MONTHS (18 U.S.C. 3559), OR BOTH, AND SHALL BE ADJUDGED TO PAY ALL COURT COSTS ASSOCIATED WITH ANY COURT PROCEEDINGS.

 

Monday, October 17, 2022 —  Petroglyph Mesa or Bust!

PFNP is open from 8:00 a.m. until 5:00 p.m. each day.  I was excited for my first big hike of the week as I arrived at the main gate on the north side of the Park thirty minutes early.  I was first in line to get into the Park.  Once I showed my pass and was let in, I drove straight to the Route 66 Pull Out, where I would began my my first real hike in the Park, to a site known as the Boundary Site, aka Petroglyph Mesa.  I decided to do the Boundary Site first because it appeared to be the largest site on my list of targets, and would also require the longest and most difficult hike.  

MY OUTBACK AT THE ROUTE 66 PULL OUT IN PFNP. I HAD TO HIKE UP THE MAIN PARK ROAD TO REACH A BLOCKED SERVICE ROAD THAT WAS THE FIRST PART OF THE HIKE.
i HIKED FOR ABOUT A MILE ON A CLOSED SERVICE ROAD BEFORE DROPPING DOWN INTO THE PAINTED DESERT.
I SAW A NUMBER OF POTTERY SHARDS ON THE ROAD. ONCE DOWN IN THE PAINTED DESERT, I SAW MANY MORE!
THE TRAIL DOWN INTO THE PAINTED DESERT FOLLOWED A SMALL RIDGE AND WAS EASY TO FOLLOW AT FIRST.
I WAS ABOUT TWO THIRDS OF THE WAY DOWN WHEN I TOOK THIS PHOTO.
ONCE I REACHED THE DESERT FLOOR, I HAD TO NEGOTIATE A MAZE OF HILLS, WASHES, AND SMALL CANYONS. I WAS GRATEFUL FOR THE ROUTE I HAD PLOTTED ON MY GPS. IT SERVED ME WELL!
I HAD TO CAREFULLY CHOOSE MY WAY IN THE WASHES TO AVOID THE STILL-WET AREAS. THE SMALL CANYON ON THE RIGHT WAS ONE OF THE LANDMARKS I USED FROM GOOGLE EARTH TO PLOT MY COURSE.
ALMOST THERE! I HAD TO CLIMB DOWN THIS STEEP POUR OVER TO GET TO THE BEGINNING OF THE ROCK ART SITE, WHICH WAS JUST AROUND THE CORNER FROM THE RED HILL IN THIS PHOTO.

After negotiating the the pour over and hiking around the eastern end of the mesa, I was finally at the site.  It had taken me a little over two hours to get there.  My GPS said that the route I took to the mesa was a little over three miles.  I calculated I had four and a half hours to explore Petroglyph Mesa before I needed to start my hike back and make it out of the Park by closing time.  I set up my stool and scanned the cliff sides with my binoculars.  If I saw rock art up high, I would take a picture with my long lens (P1000).

MY FIRST LOOK AT THE PETROGLYPH MESA SITE, AS I ROUNDED THE EASTERN POINT OF THE MESA. NOTE THE STANDING WATER. IT WAS STILL PRETTY MUCH A SLOG MOST OF MY DAY.
GETTING SET UP TO SCAN THE CLIFFS WITH MY BINOCULARS. AS I FINISHED AN AREA, I WOULD MOVE MY STOOL DOWN THE MESA'S EDGE AND DO IT AGAIN.
THIS REGAL ZOOMORPH WAS ONE OF THE ELEMENTS HIGH UP ON THE CLIFF THAT I HAD TO PHOTOGRAPH WITH MY LONG LENS. IN MY YOUNGER DAYS, I WOULD HAVE CLIMBED UP TO IT BUT, AT 70 YEARS OLD, I HAVE TO BUDGET MY ENERGY!

I spent the next four plus hours steadily making my way down the mesa’s edge until I reached the western end, where I could see Lithodendron Wash a short distance away.  I saw and photographed many panels of petroglyphs that day.  I would love to return to this beautiful place someday, because I know that I probably missed a lot of the petroglyphs.  But I knew if I climbed up to every high panel and isolate I saw, I would never make it back in time.  Below are a few pictures of the petroglyphs I saw at Petroglyph Mesa.  For a complete gallery of my pictures, look here.  

THIS WAS ONE OF THE FIRST PANELS I SAW AT PETROGLYPH MESA ON MONDAY, OCTOBER 17, 2022.
A TYPICAL SCENE AT PETROGLYPH MESA -- MULTIPLE BOULDERS WITH AN ARRAY OF PETROGLYPHS.
MANY OF THE BOULDERS AT PETROGLYPH MESA PROVIDED A DARK PATINA FOR THE PETROGLYPHS.
I SAW LOTS OF BEAUTIFUL POTTERY SHERDS AT PETROGLYPH MESA.
A NUMBER OF THE PANELS AT PETROGLYPH MESA INCORPORATED THE USE OF DOTS.
ONE FINAL PICTURE FROM PETROGLYPH MESA. A DRAWING OF THIS ELEMENT IS IDENTIFIED IN THE BOOK TAPAMVENI (PAGE 141, FIGURE 9.2) AS ONE OF TWO CLASSIC "MOTHER OF GAME" FIGURES LOCATED WITHIN THE NATIONAL PARK. THE OTHER IMAGE IS IN THE LACY POINT AREA, WHICH I DID NOT HAVE TIME TO LOOK FOR.

A little after 3:00 p.m., I packed up my gear and began the long and tiresome trek back to my car.  Since much of the return hike is uphill, I knew it would take me a little longer than the trip in, and it did.  By the time I made it back to my car, I had just enough time to exit the Park before it closed.  It had been a wonderful day, filled with beautiful blue skies, intriguing landscapes, and outstanding rock art!

 

Tuesday, October 18, 2022 —  A Disappointing Day?  Not Really!

I woke up early on Tuesday, October 18, 2022, very sore from the hike out to Petroglyph Mesa the day before.  I decided to do a hike to an area I am calling Newspaper Rock South.  This area is due south of the Newspaper Rock Restricted Area (Map A – §1.5, Closures and Public Use Limits, Superintendent’s Compendium) and I had plotted a hike that would access the area by hiking cross country from the “Tepees” roadside pullout parking area on the main road in PFNP near mile marker 14.  I enjoyed the hike as I hiked around and through the west portion “The Tepees”, eventually making my way to a mesa cliffside area where I expected to begin to find rock art in general, and one very special panel in particular. 

THE TEPEES, AS SEEN FROM NEAR THE ROADSIDE PULLOUT AT MILE MARKER 14. THE TEPEES ARE EROSIONAL FORMATIONS IN THE BADLANDS, CONICAL HILLS WITH BANDED MUDSTONES. THEY ARE BEAUTIFUL!
THE FIRST PART OF MY HIKE WAS IN A WIDE WASH. I HAD TO CAREFULLY PICK MY SPOTS TO AVOID SOFT MUD AND SILT.
I WAS SURPRISED TO SEE THIS RATHER LARGE PILE OF METAL. I SAW VIRTUALLY NO TRASH OR DEBRIS IN THE BACK COUNTRY OF THE PARK, BUT PERHAPS THIS IS "HISTORIC DEBRIS" OF SOME SORT.
AFTER HIKING MORE OR LESS DUE WEST, MY ROUTE TURNED NORTHERLY THROUGH THE FAR WEST END OF THE TEPEES. IT WAS ALL VERY SCENIC!
EVENTUALLY I COULD SEE, IN THE DISTANCE, THE MESA CLIFFSIDE WHERE I WANTED TO START LOOKING FOR ROCK ART.
AS I GOT CLOSER TO THE CLIFFSIDE, I COULD SEE WHAT LOOKED LIKE THE REMAINS OF A SMALL RUIN.
IN THIS CLOSER VIEW OF THE AREA I SUSPECT WAS A SMALL RUIN, YOU CAN SEE SEVERAL VERTICAL SLABS STILL IN PLACE.

After thoroughly exploring the area around the small ruin and finding nothing, I continued to head north along the mesa cliffside, searching for signs of rock art.  Soon I spotted my first panel of petroglyphs, and more small panels followed.  

THE FIRST PANEL THAT I ENCOUNTERED WAS SMALL, ECLECTIC, AND INTERESTING.
WHEN I WOULD SPOT ANOTHER PANEL LIKE THIS ONE, I WOULD THOROUGHLY SEARCH THE AREA FOR MORE ROCK ART.
THE PANELS I FOUND DID NOT CONTAIN MANY ELEMENTS. IT WAS A LITTLE DISAPPOINTING, TO TELL THE TRUTH.
A TURTLE, PERHAPS?

By this time, my GPS showed I was right on the edge of the Newspaper Rock restricted area.  I was able to photograph these next two small panels from the non-restricted area, but I could not see any more rock art in this area on the lower portion of the cliffside. 

I WOULD HAVE LOVED TO GET A CLOSER LOOK AT THIS SMALL PANEL, BUT I COULD NOT DO SO WITHOUT CROSSING INTO THE RESTRICTED AREA.
ANOTHER SMALL PANEL THAT I COULD NOT GET CLOSER TO WITHOUT CROSSING INTO THE RESTRICTED AREA.

By this time I was disappointed and frustrated because I had failed to find an iconic panel known as “The Golden Disk” that I thought would be in this area.  I spent about another hour and half climbing around the high parts of this cliffside area, hoping I would spot the Golden Disk from up high.  I did find an interesting access point from the mesa top and an interesting little panel that was not visible from down low, but I saw no signs of the Golden Disk.  The only conclusions I could reach were: (1) the Golden Disk was in the restricted area and not visible from vantage points in the non-restricted area; or (2) that I was either blind as a bat or sorely lacking in petroglyph finding skills.  Anyway, I started hiking back to my car in a state of profound disappointment that I had failed to find the Golden Disk.  But, as I hiked, I realized that even though I failed to find a specific panel, I had seen sights that few people ever see, and had enjoyed a beautiful hike that few 70 year olds would dream of undertaking by themselves.  Awash with gratitude, I set out to enjoy the hike back!  By the way, to see a more complete gallery of the photographs I took that day at this site, look here. 

WHILE EXPLORING THE LEDGE JUST BELOW THE MESA TOP I RAN ACROSS THIS VERY OBVIOUS ACCESS TRAIL. WAS THIS CONSTRUCTED BY PREHISTORIC PEOPLES OR OF MORE RECENT VINTAGE??
WHILE I WAS EXPLORING THE UPPER REGIONS OF THE CLIFFSIDE NEAR THE RESTRICTED AREA BOUNDARY, I RAN ACROSS THIS INTRIGUING LITTLE PANEL.
YES, I REALLY WAS OUT THERE THAT DAY! SAY HELLO TO TWO NEW FRIENDS.

When I reached my car, I saved the track and data from my hike.  My hiking app showed I had hiked 5.07 miles and that I had been out for 5 hours and 24 minutes.  I didn’t think I had enough daylight to complete any of the other hikes I had planned in PFNP, so I decided to take it easy and do a little reconnaissance.  Since it was close by, I drove over to the Blue Mesa Loop.  One of the hikes I had considered for the week was down into Billings Gap.  After surveying the area I determined that the effort/reward ratio for the hike was probably not that good.  I did see some interesting and colorful geology along the 4 mile loop.   

A PHOTO I TOOK FROM THE BLUE MESA LOOP ROAD ON THE AFTERNOON OF TUESDAY, OCTOBER 18, 2022.

After driving and exploring the Blue Mesa Loop I decided to exit the South Entrance to the Park and drive down to Woodruff Butte.  I knew that it would take about 45 minutes to get down there (via Highway 180 west, to Highway 77 south, to Woodruff Road) from examining the area on Google Earth and Google Maps.  I had two objectives for the area.  First was an iconic petroglyph panel known as “The Mother of Game”.  I had spent some time trying to figure out exactly where this site was located, including contacting the Snowflake Chamber of Commerce and talking to several locals.  One local certainly knew the location because he directed me to his You Tube Channel and a video that contained a shot of the panel.  But when I asked a simple question (which side of the Little Colorado River, relative to the Butte, is the the site on?) he declined to answer.  So, I had planned a route that would get me to State Trust Land that I thought the site might be located on.  Bottom line–  two roads that I hoped to travel to the end of and then do some exploratory hiking did not pan out.  I had a very interesting conversation with a local who was either deliberately pulling my leg or was laboring under the weight of severe emotional and/or mental problems.  I finally gave up.  I then headed to my second objective in the area, namely, Silver Creek  at Five Mile Draw.  I had little trouble finding the access road off of Highway 77.  I passed through the gate and drove down to the trailhead.  I hiked down into the canyon a short way and did not see any rock art with my binoculars.  The lower part of the trail looked extremely muddy (the whole area had experienced a significant rainfall in the previous couple of days) as well as overgrown, so I decided to head back to my motel in Holbrook.  Just as well, since daylight was fast fading by this time.

SIGN ON THE GATE TO THE ACCESS ROAD INTO SILVER CREEK AT FIVE MILE DRAW. APPARENTLY THE PROPERTY OWNER IS OK WHEN VISITS FROM RESPECTFUL OUTSIDERS. I SHALL RETURN!

I am hesitant to characterize this day as a total bust.  After all, most of the satisfaction I derive from adventures such as these comes from finding sites on my own that most people never have the opportunity to visit.  I consider many of the hours I spent this day as laying groundwork, or paying my dues.  So, when I do finally sit in front of  “The Golden Disk” and “The Mother of Game” some day, it will be satisfying, indeed!

 


Wednesday, October 19, 2022 —  A Quick Stop At the Little Colorado River, Martha’s Butte and Beyond, and Agate House

 

Since my main hike for this day would be in the area of Martha’s Butte, I decided to enter the Park at the South Entrance off of Highway 180.  On the drive to the Park that morning, I stopped at the bridge over the Little Colorado River on Highway 180, having read there was some rock art there.  I parked at a pullout after crossing over the bridge and walked down to the river.  The trail was wet and sloppy, so I didn’t venture far, and I didn’t see any rock art.  Under the bridge I did see a little “artful” graffiti, but I would have much preferred prehistoric petroglyphs! 

THE LITTLE COLORADO RIVER SOUTHEAST OF HOLBROOK, NEAR THE HIGHWAY 180 BRIDGE. I WOULD LOVE TO EXPLORE THIS AREA WHEN THE TRAILS ARE DRIER AND MORE PASSABLE.
GRAFFITI UNDER THE LITTLE COLORADO BRIGE ON HIGHWAY 180.


A Martha’s Butte Sidenote

The Martha’s Butte Hike has long been a very popular “Off the Beaten Path” backcountry hike in PFNP.  It was included in the Park’s website and the rangers at the Visitor Centers would hand out information and maps about the hike.  I was very surprised to learn  that is no longer the case.  On the late afternoon of Sunday, October 16, 2022, I stopped my the North Entrance Visitor Center on my way out of the Park.  I asked a ranger for Martha’s Butte information and she replied that the Park no longer makes it available and discourages park visitors from hiking to Martha’s Butte.  She said that the powers that be felt the cultural resources and landscape at the site were suffering due to excessive visitation.  It was not a problem for me, since I had mapped out my route on my GAIA hiking app, and Martha’s Butte was not in any of the restricted areas outlined in the Superintendent’s Compendium.  During the writing of this blog, I could not remember the name of the petrified log protruding from the smaller hill south of Martha’s Butte (turns out it is known as “Walker’s Stump”).  While researching this tidbit, I ran across an interesting resource that I was previously unaware of and would like to share.  The National Park Service History Electronic Library & Archive is an amazing online collection of brochures, documents, handbooks, and videos for each of the national parks.   While the current park website and brochure make no mention of the Martha’s Butte hike, I found this PDF in the above referenced Electronic Library.  I thought I would pass this resource on– it is amazing!

I arrived at the South Entrance to PFNP about 7:45 a.m. and was fifth in line.  When the gates opened, I presented my Park Pass at the check point and made the short drive to the pullout near the most commonly used access point when hiking to Martha’s Butte.  I set out on my hike and in no time covered the mile to the base of Martha’s Butte.  I spent about an hour searching the boulders in the area for petroglyphs and found quite a few.  Below are a few of the photos I took that morning around Martha’s Butte.  For a more complete gallery of my photos of this area, look here.  

 

 

AS I BEGAN THE HIKE, MARTHA'S BUTTE WAS NOT VISIBLE. THIS IS MY VIEW AS I HIKED AROUND THE LANDFORM THAT WAS BLOCKING MY VIEW OF THE BUTTE.
IN THIS PHOTO YOU CAN SEE WALKER'S STUMP EMBEDDED IN THE SMALL HILL TO THE SOUTH OF THE BUTTE.
THE ICONIC LARGE SPIRAL AT THE BASE OF MARTHA'S BUTTE. IT IS A SOLSTICE MARKER AND IS FEATURED IN THE VIDEO SHOWN AT THE SOUTH VISITOR'S CENTER.
AN INTERESTING LITTLE PANEL AT MARTHA'S BUTTE.
A SNAKE, OR A WAVY LINE?
THE TOP OF THIS BOULDER IS COVERED WITH PETROGLYPHS AS WELL AS TWO OF ITS SIDES. NOTE THE FLUTE PLAYER IN THE NORMAL. FOR MORE PHOTOS OF THIS BOULDER, CLICK ON THE LINK ABOVE TO THE FULL GALLERY.
ANOTHER OF THE MANY SMALL PETROGLYPH PANELS THAT SURROUND THE BASE OF MARTHA'S BUTTE.

After thoroughly exploring all of the areas around  the base of Martha’s Butte, I  set out to try to find a petroglyph known as “The Starving Man”.  I had no specific information about its location, so I spent the next several hours wandering around and exploring areas that I thought looked like good prospects for rock art.  At first I met with no success, but once I reached the right area, I began to find petroglyphs and lots of pottery sherds.  In an area I am calling “Box Canyon” I found quite a few panels of petroglyphs, some of which were very interesting.  As I left Box Canyon and continued hiking, I began to worry about the time.  I had set a specific “turn around time”, and shortly before this self imposed time deadline, I found The Starving Man site.  I was quite proud of myself!  I knew that this petroglyph was unique,  but I didn’t realize how rare it was until I got home and read the comments set out below from the book TAPAMVENI by McCreery and Malotki. After spending some time sitting in front of the main panel and enjoying the sacred nature of this location and landscape, I took some photos, then headed back to the trailhead and my car.  Here are a few photos of sights and sites from beyond Martha’s Butte.  For a complete gallery of the photos I took at Box Canyon, look here. For a complete gallery of my photos from the Starving Man site, look here.

I SCANNED AND SEARCHED LOTS OF AREAS BEFORE I GOT TO THE RIGHT PLACE. BUT IT WAS A BEAUTIFUL DAY FOR A SEARCH!
I HAD TO NEGOTIATE SEVERAL SMALL RIDGES, ONE OF WHICH HAD THIS PETRIFIED "LOG JAM"!
ONE OF THE FIRST PANELS I FOUND ON THE AREA BEYOND MARTHA'S BUTTE.
AFTER SPOTTING THE FIRST PANEL, I BEGAN TO SEE LOTS OF POTTERY SHERDS, MANY QUITE UNIQUE!
AN INTERESTING LITTLE PANEL, ON A BOULDER THAT NOT HAVE A PARTICULARLY DARK PATINA.
THIS LITTLE AREA HAD SOME BEAUTIFUL PETROGLYPHS.
I HAD TO WATCH WHERE I STEPPED...POTTERY SHERDS WERE PLENTIFUL IN THIS AREA.
PFNP IS FILLED WITH AMAZING GEOLOGY. SOME ON A VERY GRAND SCALE, AND SOME ON A VERY SMALL SCALE, LIKE THIS LITTLE CONCRETION.
THIS SMALL PANEL APPEARS TO BE ABOVE A SMALL RUIN OF SOME SORT. I WAS RUNNING SHORT ON TIME AND STILL HADN'T FOUND THE STARVING MAN SO I DIDN'T CLIMB UP AND TAKE A CLOSER LOOK.
BY THE TIME I MADE IT TO THE STARVING MAN, THE LIGHT WAS NOT VERY GOOD FOR TAKING PHOTOS. IN HER BOOK "TAPAMVENI" PATRICIA MCCREERY SAYS THAT THE EXPOSED RIBS AND VISCERA DETAILED IN THE IMAGE OF THE STARVING MAN ARE UNPRECEDENTED IN PALAVAYU ROCK ART (FIGURE 4.13, PAGE 65)
THERE WERE PETROGLYPHS ON ALL SIDES OF THE LARGE BOULDER WHICH WAS HOME TO THE STARVING MAN. HERE ARE A COUPLE MORE SIDES OF THE BOULDER.
THE CLIFF FACING SIDE OF THE STARVING MAN BOULDER WAS IN FULL SUNLIGHT.


A Little More About The Starving Man

On page 57 of their Book TAPAMVENI, McCreery and Malotki are discussing rock art with kachina iconography from the Pueblo IV Style and period, and make several comments about The Starving Man Panel and the specific figure known as the Starving Man.  The first comment relates to the location of the panel:

“The group of masks and masked figures on boulders below the northern tip of Mountain Lion Mesa lie about halfway between the Canyon Butte and Wallace Tank ruins along a natural route between the two areas.  The Mountain Lion Mesa petroglyphs of PIV vintage are also small in number compared to the many glyphs of the PII-PIII period which crowd the nearby cliff faces.  Kachina images may have been deliberately located on the mesa because it is a highly visible point along a well traveled trail.”

Three paragraphs later, they comment on the Starving Man petroglyph in particular:

“Certain masked images in the Palavayu region are of special interest.  On one face of the massive boulder below Mountain Lion Mesa, upon which the majority of PIV glyphs appears, is the horizontal full-length figure seen in Figure 4.13.  The head is horned, and the face, with large round eyes and bared teeth, resembles masks of Hopi Ogre kachinas.  Its rectangular body, knobby knees, and feet turned to one side  are elements which typify anthropomorphs of this time period.  An unusual feature of this image is the x-ray effect, which shows a skeletal rib cage and viscera.  Combined with the recumbent attitude of the figure, the impression is of death.  Basketmaker figures occasionally suggest such skeletal patterns, theorized to be related to shamanistic beliefs, but the concept of kachina doesn’t include such symbolism.  This masked figure, as far as is known, is unique.” 

I am grateful that I had the opportunity to see this one of a kind petroglyph in person!

 

As I headed for the South Park Entrance, I realized I had little time left before I needed to be out of the Park, so I parked in the Visitor Center lot and walked over to the improved trail that goes to Long Logs and Agate House.

SIGNAGE AT THE LONG LOGS AND AGATE HOUSE TRAILHEAD.

I decided to visit Agate House first in case I grew short on time. The trail is paved and a little over a mile long.  Agate House was reconstructed using pieces of petrified wood that were used in the original construction of the small eight room Pueblo.  When the site was first recorded by archaeologists in the 1930s, it was thought to be the only Pueblo of its kind (constructed from petrified wood).  But as the Park has expanded  and continued to be explored in more detail, the remains of hundreds of similar structures have been found.  It was a pleasant evening during my visit and I had the place all to myself.  On the way back to the trailhead and parking lot I took part of the Long Logs portion of the trail and enjoyed seeing the massive petrified logs found there.  It was a pleasant way to end my day in the Park! For a more complete gallery of photos I took at Agate House, look here.

FROM THE TRAIL YOU CAN SEE THE AGATE HOUSE ON THE SMALL HILL IN THE DISTANCE.
ENTRY TO THE PUEBLO WAS THROUGH THE ROOF. YOU CAN SEE PART OF THE ENTRY LADDER IN THIS PHOTO.
DETAIL OF A WALL SECTION OF AGATE HOUSE. EACH PIECE OF PETRIFIED WOOD IS LIKE A SMALL COLORFUL WORK OF ART!
YOURS TRULY AT AGATE HOUSE IN PFNP ON THE EVENING OF WEDNESDAY, OCTOBER 19, 2022.
PART OF ONE OF MANY MASSIVE PETRIFIED LOGS ALONG THE LONG LOGS TRAIL.

Thursday, October 20, 2022 —  A Visit to Petroglyph Canyon and a Visit With an Old Friend Introduces Me to a New Friend


My original plan was to spend Thursday Morning in Petroglyph Canyon, and that afternoon hiking to the Flatiron Site in the northern part of the Park.  So, Thursday morning, I found myself first in line at the South Entrance to the Park, and, not long after it opened, I was hiking to Petroglyph Canyon.  The hike was an easy one, since it followed an old road into the canyon and there was virtually no elevation change.

ON THE WAY TO PETROGLYPH CANYON. THE OLD ROAD SKIRTS THE MESA UP AHEAD AND CURVES AROUND INTO THE CANYON.

Once I reached the cliffside in the canyon where the petroglyphs are located, I set up my stool and searched with my binoculars.  I couldn’t see many petroglyphs from my vantage points along the bottom of the cliff, so I set about exploring the area.  I had read that there was an old Civilian Conservation Corps (CCC) trail in the area and eventually I found the trail, complete with old steps.  I also knew that there was a restricted area past the top of the cliff (Superintendent’s Compendium, Map P), so I was careful to not go into this area.  I spent several hours exploring the area and found a number of petroglyphs.  Below are a few of my photos.  For a more complete gallery of photos I took at this site, look here. 

PART OF THE CLIFFSIDE AT PETROGLYPH CANYON IN PFNP.
THIS LITTLE ZOOMORPH WAS THE FIRST PETROGLYPH I SPOTTED IN PETROGLYPH CANYON.
THIS ANTHROPOMORPH COULD ONLY BE SEEN FROM ABOVE.
THE LIGHT WAS NOT GREAT, BUT THIS LITTLE PANEL WAS INTRIGUING. PATRICIA MCCREERY'S BOOK "TAPAMVENI" IDENTIFIES THIS PETROGLYPH AS BEING A PART OF "THE PICNIC GALLERY" (FIGURE 1.8, PAGE 9), A TERM I WAS TOTALLY UNFAMILIAR WITH.
PART OF THE TRAIL THAT THE CCC CONSTRUCTED AT PETROGLYPH CANYON.
ONE FINAL PHOTO FROM PETROGLYPH CANYON. THIS ANTHROPOMORPH WAS FAIRLY HIGH UP ON THE CLIFF.
YOURS TRULY AT PETROGLYPH CANYON ON THE MORNING OF THURSDAY, OCTOBER 20, 2022.

I hiked back to my car after exploring Petroglyph Canyon, and headed north on the Main Park Road, intending to drive up to the trailhead for the Flatiron site at the Painted Desert Inn.  Shortly after passing the pull out for the Crystal Forest, I saw a rock formation on the left that looked promising for petroglyphs.  So when I saw a place to park at a blocked off service road, I stopped and hiked on the road over to the large rock formation and scanned it with my binoculars.  I didn’t find any petroglyphs, but as I left the road and looped around to explore some smaller clusters of rocks, I did find one boulder that had some pedestrian petroglyphs.  Later, while looking at the map on my GAIA hiking app, I  realized that the road I stopped at and hiked a short way on, headed southeast and eventually passed through an area north of Martha’s Butte, near Mountain Lion Mesa.  Little did I know that the next day I would hike part of that same road while exploring north of Martha’s Butte.  The map also revealed that this road eventually went all the way to the edge of the restricted area west of Petroglyph Canyon.  

THE BOULDER WITH PETROGLYPHS IN THE AREA OF THE CLOSED SERVICE ROAD.
YOU RUN INTO BEAUTIFUL PIECES OF PETRIFIED WOOD ALL OVER THE PARK. IN THE BACKGROUND YOU CAN SEE THE AREA THAT I SEARCHED NEAR THE CLOSED SERVICE ROAD.

After my little detour to explore near the closed service road, I continued north on the Main Park Road. I made a quick stop at Agate Bridge to see the 110 foot long petrified log that bears that name. 

THE AGATE BRIDGE AT PFNP.
PART OF THE SIGNAGE AT AGATE BRIDGE. THE PARK SERVICE DOES A GOOD JOB HIGHLIGHTING THE HISTORY OF THE PARK WITH LITTLE EXHIBITS LIKE THIS.

After my quick stop at Agate Bridge, I continued north on the Main Park Road, still intending to hike to the Flatiron Site.  As I approached Newspaper Rock and Puerco Pueblo, I realized that I probably had enough time to stop at the Howling Man.  On my previous trips to the Park, I had not explored very far past the Howling Man, so I thought I would stop and do that on the way to Flatiron.  As it turns out, I ended up spending the rest of the afternoon exploring the cliffs past Howling Man to the edge of the northern boundary of the Newspaper Rock Restricted area.  There was much more rock art to see in that area than I anticipated!  About halfway through my explorations, I ran into a gentleman from Massachusetts named Chris Curtis.  It turns out he was familiar with my website.  As we continued to explore together, I soon realized that we were kindred spirits and had visited many of the same rock art sites over the years.  Chris and I ended up spending the rest of the afternoon together and found quite a few interesting petroglyphs.  Below are some of the photos I took that afternoon.  For a complete gallery of the site I am calling “Newspaper Rock North”, look here.  I decided to call the area around The Howling Man “Puerco Wash”.  For a complete gallery of my Puerco Wash photographs, look here. 

I CAN NEVER GET ENOUGH OF "THE HOWLING MAN". GOOD TO SEE YOU AGAIN, OLD FRIEND!
NICE LITTLE PANEL. YOU SEE LOTS OF CIRCLES AND ELEMENTS THAT INCORPORATE CIRCLES AT PFNP.
THE POOR LIGHT MADE IT DIFFICULT TO GET A GOOD PICTURE OF THIS PANEL THAT FOCUSED ON ZOOMORPHS.
AN INTERESTING LITTLE PANEL WITH SOME INTRIGUING LINEAR ELEMENTS.
THIS LITTLE PANEL HAD A COUPLE OF UNIQUE ANTHROPOMORPHS.
THE ONE LEGGED MAN. IN HER BOOK "TAPAMVENI" PATRICIA MCCREERY SAID SHE BELIEVES THAT BECAUSE THERE A NUMBER OF THESE ELEMENTS IN THE REGION IT IS NOT SIMPLY AN UNFINISHED PETROGLYPH.
ANOTHER BEAUTIFUL LITTLE PANEL THAT FEATURES A UNIQUE ANTHROPOMORPH.
YOURS TRULY AT A PANEL THAT TOOK A PRETTY SUBSTANTIAL CLIMB TO REACH. THANKS FOR LEADING THE WAY CHRIS!
TIME TO TURN AROUND! THIS SIGN SITS ON THE NORTHERN BOUNDARY OF THE NEWSPAPER ROCK CLOSED/RESTRICTED AREA.

I am very grateful that I met Chris Curtis that afternoon and that we got to do some walking and exploring together.  I am at the stage in my life (age 70) where I am fast becoming more and more reluctant to climb up to high rock art panels and to make long hikes by myself.  Thanks to Chris, I got to experience some very nice panels up close and personal.  He often led the way as we climbed, and seemed to take care to pick routes through the boulders that he thought I could safely negotiate.

One of the petroglyphs we found that afternoon was quite unique.  It was located high up on one of the angled walls of a cave.  In their book TAPAMVENI, Rock Art Galleries of the Southwest, Patricia McCreery and Ekkehart Malotki identify the petroglyph as a winter solstice marker in their Chapter on Archaeoastronomy (Chapter 8, Figure 8.4, Page 137).  They have a photo of the petroglyph in their book  and identify the cave as “Pinhole Cave”.  In explaining their photo and the solstice event, they state:  “Here a blunt light angle brushes along both the bottom and right pairs of human feet.”   Below are a few photos from our exploration of Pinhole Cave. 

THE ENTRANCE TO PINHOLE CAVE. I DON'T BELIEVE IT IS VISIBLE FROM THE BASE OF THE CLIFFS.
MY NEW FRIEND CHRIS CURTIS IN "PINHOLE CAVE". IF YOU LOOK CLOSELY YOU CAN SEE THE WINTER SOLSTICE PETROGLYPH HIGH UP ON THE RIGHT HAND CAVE WALL.
THE WINTER SOLSTICE PETROGLYPY IN PINHOLE CAVE CONSISTS OF A SPIRAL SURROUNDED BY FOUR SETS OF FEET. VERY UNIQUE!
A POTTERY SHERD IN A SMALL WASHED OUT AREA OF THE FLOOR IN PINHOLE CAVE.

By the time we finished exploring the cliffs north of the Newspaper Rock restricted area, it was time to head back to our cars and leave the Park.  Since we were both staying in Holbrook, we agreed to meet for dinner that evening at Mesa Italiana Restaurant.  At dinner, I learned that Chris is an accomplished photographer, and he graciously gave me permission to link this blog to his website.  We had an enjoyable time discussing our favorite rock art sites and destinations.  As we parted ways that night, we agreed to meet the next morning and hike together on my last day at the Park.


Friday, October 21, 2022 — Last Day at PFNP:  A Visit to Flatiron and a Return to Martha’s Butte and Beyond


Originally, Chris and I had talked about hiking out to the Boundary Site on Friday.  The more I thought about it, the more I thought a hike to Flatiron and Martha’s Butte (especially if we tried to make it all the way to Mountain Lion Mesa) might be a better use of our time and allow Chris to experience more of the iconic PFNP sites.  Chris and I discussed it, and we decided to do the Flatiron and Martha’s Butte hikes.  We were both in line at the North Entrance, and, when the P
ark opened, we drove over to the Painted Desert Inn where the trailhead to Flatiron is located.  The Flatiron Petroglyph site is accessed from the Onyx Bridge Trail.  I had the route to the petroglyphs on my GAIA app, so finding the site was not a problem.  We enjoyed a nice hike in perfect conditions.  My app showed that we hiked 2.13 miles in one hour and thirty one minutes.  When we reached the site, the light was good for taking rock art photos, with a light covering of very high clouds.  I am glad I got to experience this iconic site.  Below are some of the pictures I took at Flatiron that morning.  For a more complete gallery of pictures from the Flatiron Site, look here.  

THE MAIN PANEL AT THE FLATIRON SITE. NOT SURE WHERE THE NAME CAME FROM...IF YOU KNOW, DROP ME A LINE, PLEASE!
THERE WERE A COUPLE A SMALL PANELS AROUND THE CORNER FROM THE MAIN PANEL. THIS ONE HAD AN INTERESTING ANTHROPOMORPH, THOUGH IT LOOKS TO BE DAMAGED FROM NATURAL CAUSES.
THIS SMALL PANEL AT FLATIRON WAS SIMPLE AND UNCLUTTERED.
YOURS TRULY, AT THE FLATIRON SITE ON THE MORNING OF FRIDAY, OCTOBER 21, 2023.
HEADING BACK AFTER EXPLORING THE FLATIRON SITE. IF YOU LOOK CLOSELY YOU CAN SEE THE PAINTED DESERT INN UP ON TOP OF THE MESA.
WE ENCOUNTERED LOTS OF NATURAL BEAUTY AS WE MADE OUR WAY TO THE CLIMB UP TO THE PAINTED DESERT INN AND THE END OF OUR FIRST HIKE OF THE DAY.

After completing our hike to the Flatiron Site, we hopped in our cars and headed straight for the Martha’s Butte Trailhead.  Parking for this hike is not a designated pull out, but just a wide spot in the road near a wash.  We set out on our second hike of the day, and, in no time, we were at Martha’s Butte. 

CHRIS CURTIS AT THE PARKING AREA FOR THE MARTHA'S BUTTE HIKE ON THE MORNING OF FRIDAY, OCTOBER 21, 2022.
YOU CAN'T SEE MARTHA'S BUTTE DURING THE FIRST PART OF THE HIKE. I TOOK THIS PHOTO JUST AS THE BUTTE BECAME VISIBLE, AS WE HIKED CROSS COUNTRY SINCE THERE IS NO DEFINED TRAIL.
I GOT CHRIS TO TAKE THIS PHOTO OF ME NEAR WALKER'S STUMP, WITH MARTHA'S BUTTE IN THE BACKGROUND.

Once we reached Martha’s Butte, we wandered around for about thirty minutes, as Chris studied and photographed the petroglyphs scattered around the base of the Butte and the nearby landscapes.   I enjoyed watching how an experienced photographer approached a panel, and how he appeared to be seeking different perspectives with his photos.  When I  photograph a site,  I tend to focus solely on the petroglyphs, and take many, many photos.  Chris, however, seemed to take a much broader and artistic approach, appearing to focus on how the petroglyphs, and the boulders they were on, interacted with the surrounding landscape.  I think the thought that he put into his shots translated into him being much more judicious with the number of photos he took at each site.  I believed he mentioned “quality over quantity” during one of our discussions.  I hope to incorporate some of his techniques and habits into my future photography efforts, while realizing that I will probably never achieve the results that experienced photographers, like Chris, enjoy.   

CHRIS PHOTOGRAPHING A SMALL PANEL AT THE BASE OF MARTHA'S BUTTE.
CHRIS PHOTOGRAPHING A SMALL PETROGLYPH BOULDER THAT WAS NEAR A LARGE PETRIFIED LOG.
AFTER WATCHING CHRIS TAKE THE ABOVE PHOTO, I ATTEMPTED TO REPLICATE HIS PERSPECTIVE. HERE IS MY ATTEMPT.
I GOT CHRIS TO TAKE A PICTURE OF ME NEXT TO THE ICONIC SPIRAL WHILE WE VISITED MARTHA'S BUTTE.

Once we finished up at Martha’s Butte, we hiked directly to an area I am calling “Box Canyon”, where I had found a number of sites on my Wednesday hike.  Here are a few photos of our explorations at Box Canyon.  For a more complete gallery of photos from this area, look here.

BOULDER HOPPING IN BOX CANYON.
AN INTERESTING LITTLE PANEL IN BOX CANYON.
TWO VERY DISTINCTIVE PANELS IN BOX CANYON.
THIS PANEL LOOKED LIKE A DIFFERENT STYLE FROM MOST OF THE PETROGLYPHS WE SAW AT THE BOX CANYON SITE.
UNFORTUNATELY THIS BOULDER IS EXPERIENCING SIGNIFICANT EXFOLIATION, AS THE PATINATED ROCK SURFACE LAYER IS SPALLING OFF.
POKING AROUND IN BOX CANYON.

From Box Canyon, we hiked out to the iconic Starving Man Panel.  The light was not great, but the large boulder that is covered with petroglyphs was stunning.  Below are a few pictures from the Starving Man.  For a more complete gallery of photos from this site, look here. 

THE ONE AND ONLY STARVING MAN, IN THE LOWER LEFT PORTION OF THE PANEL. COMMENTATORS SAY THE EXPOSED RIBS AND VISCERA ARE UNPRECENDENTED IN THIS REGION'S ROCK ART.
CHRIS HARD AT WORK PHOTOGRAPHING THE STARVING MAN ON THE AFTERNOON OF FRIDAY, OCTOBER 21, 2022.
THE STARVING MAN BOULDER HAS PETROGLYPHS ON ALL SIDES. I BELIEVE THIS IS THE ONLY CLOUD TERRACE I SAW AT PFNP.
YOUR INTREPID BLOGGER AT THE STARVING MAN BOULDER.

After we finished up at the Starving Man, we consulted our maps and decided to hike north/northwest toward a distant, but prominent, landform that we believed to be the eastern point of Mountain Lion Mesa.  After hiking through a wide wash and climbing up a little ridge, we ran into the service road that I had briefly hiked the previous day (several miles away, off the Main Park Road).  From this road, we could also see that our proposed path to the point was blocked by a large and deep canyon/wash.  Using binoculars, we surveyed the cliff walls of the canyon that blocked our way and saw nothing that compelled or enticed us to proceed on our original course.  It was starting to look like it was just not in the cards for us to explore what we thought was a part of Mountain Lion Mesa.   

PHOTO I TOOK SHORTLY AFTER WE ENCOUNTERED THE DEEP CANYON BLOCKING OUR WAY TO THE POINT WE WERE HEADING FOR.


WHERE IN THE WORLD IS MOUNTAIN LION MESA?

Good question, and I think I finally know.  The first time I ever ran across “Mountain Lion Mesa” was in a rock art website that contained a large number of petroglyph site photo galleries from PFNP, and one of these galleries bore this name.  This website was created by a man who had been a volunteer photographer for PFNP over an extended period of time.  In this capacity, the gentleman had visited many of the backcountry rock art sites in the park, often with a park archaeologist, and had created and identified galleries for many of these sites and then posted them on his website.  When I  first set out trying to figure out where “Mountain Lion Mesa” was located, I assumed it would be easy to find on topographic maps that showed the locations of mesas in the park.  No such luck.  Many months later, I saw a reference to “The Starving Man Panel” on another blog but it didn’t mention Mountain Lion Mesa at all.  So, eventually, I developed the erroneous impression that The Starving Man Panel was located at the Starving Man Cliffs, and that, while it was nearby, Mountain Lion Mesa was an entirely different landform with completely different petroglyphs.  When I got home from this trip and was examining Tapamveni, I learned that The Starving Man was indeed located at Mountain Lion Mesa.  Careful examination of the rock art website galleries that had introduced me to the backcountry PFNP petroglyph sites revealed that The Starving Man was included in one of the gentleman’s Mountain Lion Mesa Galleries, and that the area I am calling Box Canyon was what he called the west side of Mountain Lion Mesa.  So, when Chris and I headed out due north from The Starving Man panel, we were not headed to Mountain Lion Mesa at all but to some other mesa that, despite my best efforts, I have, as of this writing, been unable to identify.  Live and learn!

We continued to walk due west on the service road and the ridge that it followed.  After a while, we saw an area ahead where the ridge we were on ran into a much steeper cliff with many boulders that looked promising for petroglyphs.  We  left the service road and headed toward the area that appeared to have a large number of boulders with dark patinas.  As we got closer, we could see there was a significant pour-over near the area where the ridge met the steeper cliff. 

CHRIS, STANDING NEAR THE POUR-OVER WE ENCOUNTED WHILE WALKING WEST ON THE RIDGE THAT THE SERVICE ROAD HAD BEEN FOLLOWING.

We had a decision to make, and had two options.  Our first option: we could down climb the pour-over area and head to the south and toward the familiar terrain around the mesa where the Starving Man panel was located.  Our second option would be to head north/northeast and explore the cliffs along the route to the point we originally were aiming for.  After careful consideration, we decided on option one.  Two things caused us to pass on option two.  First, remaining time was running out — our agreed-upon turn around time was not far away.  Second, once we reached the eastern point of what we erroneously thought was Mountain Lion Mesa, we were unsure what the route back to Martha’s Butte from there would look like.  Easy walking in mostly washes, or having to negotiate multiple canyons and steep ridges?  There was no way we could tell for sure from our maps, so we opted for the safer option of heading south back toward the western end of the Starving Man Cliffs. 

As we headed south, we found no petroglyphs in the area leading from the pour-over, despite promising terrain and many darkly patinated boulders.  Once we reached the western end of what I now know is Mountain Lion Mesa, a/k/a Starving Man Cliffs, we began to see some rock art, and what appeared to be the remains of a small ruin.  I think the most unusual panel we saw was one that Chris found.  It appeared to be a male and a female anthropomorph next to what Chris believes might be a cradle board.  While the shape certainly is similar to a cradle board, my impression is that they were used in a much later time period.  I need to do some research on this interesting topic!  Below are some photos of the area I have decided to call “Mountain Lion Mesa West”. For a complete gallery of photos I took that afternoon, look here.  

NICE LITTLE PANEL WITH WITH THREE INTERESTING ELEMENTS. NOTE THE NICE GEOMETRIC ELEMENT ON THE WALL BEHIND THIS LITTLE PANEL.
WHAT I BELIVE TO BE THE REMAINS OF A SMALL RUIN NEAR THE WESTERN END OF STARVING MAN CLIFFS.
ANOTHER SMALL PANEL WITH A FAINT GEOMETRIC ELEMENT ON THE WALL BEHIND IT.
A COUPLE OF FAINT ANTHROPOMORPHS HIGH UP ON THE CLIFF WALL.
A COMPARISON WITH FIGURES FROM THE BOOK TAPAMVENI SUGGEST THAT THIS BIRD ELEMENT IS AN EAGLE.
CHRIS PHOTOGRAPHING THE PANEL THAT CONTAINED AND ELEMENT THAT HE THOUGHT MIGHT DEPICT A CRADLE BOARD.
A LITTLE CLOSER VIEW OF THIS UNUSUAL PANEL. I AM GLAD CHRIS SPOTTED IT!

After exploring the western end of Mountain Lion Mesa, a/k/a Starving Man Cliffs, we headed for the trailhead and our vehicles.  We stopped only to take a couple of pictures at the Starving Man and at Martha’s Butte, hoping the light would be a little different and perhaps better than when we were at the sites earlier in the day.  As we said our goodbyes, I did my best to let Chris Curtis know what a pleasure it was to meet him, and how grateful I was that we were able to hike together my last day in the park.  I learned a lot from him, and sincerely hope we are able to stay in touch and perhaps take a few more hikes together some day. 

I made one final stop at the South Entrance Visitor’s Center, to purchase a copy of Tapamveni, by Patricia McCreery and Ekkehart Malotki.  I had thumbed through the book the previous Sunday afternoon, and should have purchased it then.  It is one of the best written and best illustrated rock art books in my library, and I would highly recommend it to anyone.  It has certainly enhanced my understanding and enjoyment of the rock art in Petrified Forest National Park and the surrounding region.  Many thanks to the Petrified Forest Museum Association for publishing the book and making it available to visitors to the Park.   

A GREAT ROCK ART RESOURCE!

I exited the park by the South entrance and headed to Holbrook on Highway 180.  I didn’t really see much of Holbrook during my stay there, since I was up early each day and usually returned in the dark.  But this day, I stopped to take a picture of the welcome sign for the City of Holbrook, located at the intersection of Highways 77 and 180.  I had passed by this quirky sign several times during the week and wanted to share it with you. 

I LOVE THIS WELCOME SIGN!

Epilogue (Part 1)

As I left Petrified Forest Park for the last time, I had a fairly long drive to get to Flagstaff, where the second part of my Fall 2022 Rock Art Trip would begin.  During this drive, I looked back on my week.  As I mentioned in the Prologue to this blog post, I took this trip hoping to calm my mind after my diagnosis of prostate cancer on September 26, 2022.  As I drove west on IH 40 toward Flagstaff, I focused on the many things in this life that I am grateful for.  As I did, a sense of calm and serenity began to wash over me, and I realized that I was profoundly and inexplicably happy.  So, to my friends, old and new, and my family, those close to me and those from whom I am estranged, and most of all to my wife Dorothy, please know that I love you and appreciate each and every one of you.  

I  have not mentioned it yet but, on my first Sunday afternoon in the park, I learned that Mike O’Dell had passed on February 9, 2022.  I first met Mike in April of 2019 when he guided a friend and I around the Hidden Cove Petroglyph site, owned by the City of Holbrook.  At the end of our time with Mike, he felt like an old friend.  His passion for rock art was contagious and his generous and friendly spirit was unforgettable.  He graciously allowed me to post his contact information on my Hidden Cove Gallery.  While we were never close friends, we stayed in touch through Facebook.  I was unaware of his passing since I have been taking a break from Facebook for most of 2022.  I was grateful to learn that, on March 10, 2022, the Holbrook City Council passed a resolution honoring Mike and an ordinance renaming the park the O’Dell Hidden Cove Park.  What a fitting and poignant honor for Mike.  Mike was only 65 years old, and his passing is a gentle reminder that we all need to live each day to its fullest.  Rest in Peace, my friend. 

MICHAEL WAYNE O'DELL (March 11, 1956 - February 9, 2022)