THE PALMER HOUSE TAKES ON AN OTHER WORLDLY FEELING AT NIGHT. THIS IS ONE OF THE LAST PHOTOS I TOOK DURING MY STAY AT THAT WONDERFUL PLACE!

Frank Lloyd Wright in Michigan, Part Two

Prologue…

Part Two of this blog post covers the last three days of my trip to Michigan in late August/early September, 2024.  If somehow you got here without reading about the first part of my trip go to Part One.  

Monday, September 2, 2024 — More Palmer House Details and a Visit to the University of Michigan Campus


I slept great in the cozy confines of the Palmer House and awoke feeling fantastic.  Feeling quite refreshed, I took a long walk in the gardens and around the neighborhood.  It was a crisp, cool morning, and felt amazing.  In Central Texas we had been experiencing brutally hot temperatures, and the weather in Michigan was most welcomed by this old man.  

A PORTION OF ONE OF THE GARDEN TRAILS ON THE SOUTH SIDE OF THE PALMER RESIDENCE.
THE PALMER RESIDENCE AND GARDENS LOOKED BEAUTIFUL IN THE EARLY MORNING LIGHT.

One of the benefits of staying at a FLLW house is the ability to explore every tiny detail of the house.  After my morning walk in the gardens and around the neighborhood, I spent several hours enjoying every nook and cranny of the Palmer House and closely examining all of the furniture and builtins designed by FLLW.    I also enjoyed the items displayed throughout the house such as the antique camera display, the teapot collection, the many books, and the art/posters/photos in the house.  

tHE ABSCENCE OF 90 DEGREE ANGLES IN THE HOUSE MAKES FOR SOME INTERESTING PROBLEMS AND SOLUTIONS.
LOTS OF CUSTOM FURNITURE AND BUILT-INS DESIGNED FOR THE PALMERS BY FLLW.
THIS TWO PEICE COFFEE TABLE IS FOR USE WITH THE BUILT IN SOFA NEXT TO THE FIRE PLACE. NOTICE HOW THE LINES OF THE TOP OF THE TABLE SEEM TO MATCH THE GRID LINES ON THE LIVINGROOM FLOOR.
EACH CHAIR FOR THE DINING TABLE IS A WORK OF ART IN ITS OWN RIGHT. NOTE THE LEATHER SEAT CUSHION.
SHELVING ABOVE A BED IS USED TO DISPLAY A COLLECTION OF ANTIQUE CAMERAS. NOT SURE HOW FLLW DID IT, BET THERE IS NO SAGGING WHAT-SO-EVER WITH ANY OF THE SHELVES IN THE HOUSE.
MORE ANGLED DRAWERS AND THE UNUSUAL SHAPED BED IN THE MASTER BEDROOM.

Below is a photograph of one of several sets of nesting (in sets of three) ottomans in the Palmer House.  According to Palmer House lore, on one of Wright’s visits to the Palmer House, Mary Palmer had arranged for a musical performance for him and other guests.  Frank Lloyd Wright became quite upset because of two things —  first, the quartet was not in the proper position to take advantage of the optimal acoustics in the house, and, second, Wright was incensed that the guests were seated on folding chairs, which he considered hideous and unsuitable for the house he designed.  A few months later a truck pulled up to the Palmer House and unloaded five sets (15 total) of the ottomans.  They were a gift from Mr. Wright.  Never again would folding chairs be seen in  or used in his creation, The Palmer House!

ONE OF THE SETS OF NESTING OTTOMANS THAT FLLW GAVE TO THE PALMERS AFTER BECOMING IRRITATED AT A MUSICAL PERFORMANCE IN THEIR HOME.

I decided to spend my Monday afternoon visiting the nearby University of Michigan campus.  I wanted to visit the Law Quadrangle and the Law Library, as both were well known for their gothic architecture.  I also wanted to visit the Kelsey Archaeological Museum on campus, as well as the football stadium, known as the “Big House”.   I found the campus to be quite large, and bustling with activity, even though it was a holiday (Labor Day).  A few photos from my afternoon… 

THE UNIVERSITY OF MICHIGAN CENTRAL CAMPUS IN ANN ARBOR IS QUITE LARGE, AND A PLEASING MIX OF THE OLD AND THE NEW.
THE LAW QUADRANGLE HAS AN INTERESTING HISTORY.
YOURS TRULY INSIDE THE QUADRANGLE IN FRONT OF THE LAW LIBRARY.
INSIDE THE UNIVERSITY OF MICHIGAN LAW LIBRARY. IT IS HUGE, AND IT IS STUNNING!
BY THE WAY, I LOVE SEEING AND PHOTOGRAPHING DECORATIVE STONE AND GARGOYLES ON OLD BUILDINGS, AND THERE WAS PLENTY TO SEE AT THE QUADRANGLE!

After I had my fill of the Law Library, I walked over to the Kelsey Archaeological Museum, only to find that it was closed.  I was near the Student Union, so I went to the bookstore hoping to find a t-shirt for the football game that was to be played on Saturday against the Evil Empire, also known as the University of Texas.  Unable to find a t-shirt with a “Beat Texas” motif, I settled for a Michigan hat, which I took with me over to the Big House, where I did my best to place a hex on the University of Texas Football team.  (By the way, it didn’t work, as Texas trounced Michigan the following Saturday).  

YOURS TRULY, AT THE BIG HOUSE.

I left the University of Michigan Campus and drove to the Kabza House, located at 2417 London Derry.  This house was designed by Robert Pond, an apprentice to FLLW in the early 1950s.  Pond also did some design work for the Palmer House — he supervised the building of the back terrace, which was part of the original Wright plan.  Pond was on his own when he designed the Kabza House, but the Usonian principles he learned under Wright are quite evident.  I finished my time away from the Palmer House by stopping for an early supper of stuffed Salmon at Real Seafood Company on Main Street —  delicious!

THE KABZA HOUSE, DESIGNED BY WRIGHT APPRENTICE ROBERT POND AND LOCATED AT 2417 LONDON DERRY IN ANN ARBOR.
MY SUPPER AT THE REAL SEAFOOD COMPANY IN ANN ARBOR.

I returned to the heavenly confines of the Palmer House where I took advantage of the the golden hour and the sunset.  I knew that the ceramic blocks with the cut-out abstract bird motif created interesting light patterns inside the house, but my hostess had mentioned that at sunset, a line of birds appears in the hall of the bedroom wing, and move slowly along the wall.  

THE SUNSET FLIGHT OF THE BIRDS AT THE PALMER HOUSE (BEDROOM WING HALLWAY), SEPTEMBER 2, 2024.

I will be forever grateful for the time I got to spend at the Frank Lloyd Wright Palmer House in Ann Arbor.  I will never forget the beautiful gardens, nor the solitude and enchantment that one experiences sleeping in a Frank Lloyd Wright masterpeice.  My time there was perfect, and I think I shall enjoy sweet dreams of that place for the rest of my life! For a more complete collection of photos I took, go to the Palmer House Gallery page.

Tuesday, September 3, 2024 — The Meyer May House in Grand Rapids, The Parkwyn Village Homes, and the Galesburg Country Homes in Kalamazoo


After waking up from another wonderful night’s sleep in the Palmer House, I reluctantly said goodbye to that special place and headed northwest to Grand Rapids and a 10:00 a.m. tour of the iconic Meyer May House.  The Steelcase Company purchased this FLLW prairie style home and did a museum quality restoration before opening it up for public tours.   I thoroughly enjoyed the tour — what a great house!  Here are a few of the photographs I took that morning.  For more photographs, look at the Meyer May House Gallery

THE MEYER MAY HOUSE AS SEEN FROM LOGAN STREET SE. THIS IS ACTUALLY THE BACK OF THE HOUSE, WITH THE MAIN ENTRY ON THE OTHER SIDE, ACCESSED FROM MADISON AVENUE.
LOOKING AT THE MEYER MAY HOUSE TOWARD MADISON AVENUE. THE MAIN ENTRY TO THE HOUSE IS ON THIS SIDE OF THE STRUCTURE.
THE MAIN ENTRY TO THE MEYER MAY HOUSE IS HIDDEN FROM VIEW FROM MADISON AVENUE. A RED TERRA COTTA TILE PATHWAY LEADS THE VISITOR TO THIS DOOR FROM THE MADISON AVENUE ADDRESS.
THE ARTISTIC BRILLIANCE OF FLLW IS ON FULL DISPLAY IN THE LIVING ROOM AT THE MEYER MAY HOUSE.
THE HEART OF EVERY FLLW HOME IS ALWAYS THE FIREPLACE. THE FIREPLACE AT THE MEYER MAY HOME IS QUITE LARGE AND WRIGHT USED SLIVERS OF GLASS TILE BETWEEN THE BRICKS. ALSO, NOTE THE ELEGANT DESIGN ON THE CARPET IN FRONT OF THE FIREPLACE.
THE HUGE DINING ROOM TABLE AT THE MEYER MAY HOUSE FEATURES COLUMNS AT EACH CORNER THAT INCLUDE AN AREA FOR PLANTS OR FLOWERS AND ARE TOPPED BY LIGHT FIXTURES. A REALLY BEAUTIFUL ROOM!

Prior to each tour, guests see a film about the history and restoration of the Meyer May House.  There is also a display of Steelcase office furniture in the room where the film is shown.  As you might imagine, there is a Frank Lloyd story behind this office furniture.  The original chairs designed by Wright for the S. C. Johnson Headquarters building only had three legs.  Wright felt his design promoted good posture and, if sat in correctly, were very stable and comfortable chairs. That turned out not to be the case, as office workers began to complain about the chairs and the many falls they created.  H.F. Johnson, Jr., the third generation leader of the company at the time, contacted Wright and complained about the chairs.  His complaints at first fell on deaf ears —  Wright’s only comment was “Their first fall will be their last”.  As the complaints from employees continued, many refused to use the three legged chairs.  H.F. Johnson, Jr. knew he had to do something.  So he scheduled a meeting with Wright in a conference room that he had set up to demonstrate to Wright that the chair was in fact unstable.  He placed a cup of colored pencils in the center of the conference table, knowing that Wright would not be able to resist leaning over to reach for them, which is exactly what Wright did, falling to the floor in the process.  Soon thereafter Wright sent plans for a new four legged replacement chair to Mr. Johnson, never admitting that the initial design was unstable.  Of course, the Steelcase Company benefited from this, as their order for the chairs suddenly doubled!

THE VISITOR CENTER IS DIRECTLY ACROSS THE ALLEY FROM THE MAIN ENTRY DOOR TO THE MEYER MAY HOUSE.
WRIGHT'S INFAMOUS THREE LEGGED OFFICE CHAIR, DESIGNED FOR THE S. C. JOHNSON HEADQUARTERS BUILDING.
THE FOUR LEGGED REPLACEMENT CHAIR THAT WRIGHT DESIGNED TO CURE THE INSTABILITY PROBLEM WITH THE ORIGINALS.

After my tour of the Meyer May House, I headed to the south, bound for the Parkwyn Village FLLW houses in Kalamazoo.  Parkwyn Village was a 47 acre subdivision near the Upjohn Company that Wright designed in 1948.  Four houses, all located on Taliesin Drive, were designed by Wright and built in the Parkwyn Village subdivision.  I was able to drive by and see three of the houses from the street, namely the McCartney Residence (2662 Taliesin Dr.), the Brown Residence (2806 Taliesin Dr.), and the Levin Residence (2816 Taliesin Dr.).   Unfortunately, the Robert D. Winn house, a hemi-cycle design located at 2822 Taliesin Dr., was not visible from the street, so  I was unable to get photographs of it. 

THE MCCARTNEY RESIDENCE AT 2662 TALIESIN DR., KALAMAZOO, MICHIGAN. THIS HOUSE WAS SET FAR BACK FROM THE ROAD AND IT WAS DIFFICULT TO GET A GOOD PHOTOGRAPH.
THE BROWN RESIDENCE, 2806 TALIESIN DR., KALAMAZOO, MI. THIS HOME IS ONE OF FOUR WRIGHT HOMES IN PARKWYN VILLAGE.
OF THE THREE HOMES I WAS ABLE TO SEE FROM THE ROAD IN PARKWYN VILLAGE, THE LEVIN RESIDENCE AT 2816 TALIESIN DR. WAS THE MOST VISIBLE, I WAS EVEN ABLE TO GET A SHOT OF THE BACK OF THE HOUSE AS I TRIED TO WALK DOWN TO THE WINN RESIDENCE.

From the Parkwyn Village homes in Kalamazoo, I drove out to the Galesburn Country Homes subdivision, anxious to see the Eppstein Home, where I would be spending the night.  Consisting of 72 acres, this was the original subdivision FLLW designed for a group of Upjohn scientists and was located 10 miles east of Kalamazoo. Some of the group decided that this location was too far from work for them, so they broke off and located land closer to Upjohn, upon which Wright designed Parkwyn Village and the four FLLW homes found there (see the above drive-bys).   

As I entered the Galesburg Country Homes development, I saw a sign that said “The Acres”.  I learned later that this was the nickname given to the 71 acre development by the original members of the Upjohn group who purchased the land and had Wright design a plan calling for 21 round one acre sites, with the rest of the  undeveloped acreage to be owned by the homeowners association.  The first house I encountered was on the right a short distance from the entrance —  this is the Pratt House, located at 10036 Hawthorne Dr., Galesburg, MI.  The Pratt House is very close to the road and the lot is very open so, while I wasn’t able to enter or tour the home, I was able to get some very good photos of the exterior.  

THE SIGN AT THE ENTRANCE TO THE GALESBURG COUNTRY HOMES DEVELOPMENT IS LOCATED AT THE INTERSECTION OF 36TH STREET AND HAWTHORNE DRIVE.
THE PRATT HOUSE AT 11036 HAWTHORNE DR., GALESBURG, IS THE FIRST HOUSE YOU ENCOUNTER AFTER ENTERING THE DEVELOPMENT.

Just past the Pratt House is the Eppstein House, where I would be spending the night.  I pulled in, and made sure the entry code I was given worked.  I decided I would walk back down to the entrance to photograph the development’s sign before I moved my belongings into the Eppstein House.  While I was on the way back to the Eppstein House a gentleman passed me on the way to check his mail.  As he drove past me on his return trip, he stopped, rolled down his window, and introduced himself as Doug LeBrecque, the owner of the Meyer House.  Upon learning that I was staying at the Eppstein House (and that I was a FLLW aficianado!) Doug invited me up to his house.  I walked back and locked up the Eppstein house then walked up the drive to Doug’s home.  He gave me a tour of his home and allowed me to take photographs.  What a stunning home it is!  I  had promised the owner of the Eppstein House that I would not snoop around or otherwise bother the other homes and homeowners, so I did not think I would have the opportunity to see the Meyer House, much less take a tour of it.  Ever since Dorothy and I visited The Lewis Spring House in Talahassee, FL, I have had a thing for Wright’s solar-hemicycle designs.  Still saddened by not even being able to get a peek at the Winn Residence (also a hemi-cycle design) at Parkwyn, I was overjoyed by Doug’s kindness and generosity in sharing this home with me.  What a great birthday gift is was for this old man!  Here are a few photos I took of the Meyer House.  For a more complete set of photos see the Meyer House Gallery page

A PORTION OF THE FRONT OF THE MEYER MAY HOUSE IN GALESBURG.
A PORTION OF THE BACK SIDE OF THE MEYER HOUSE, WHICH OVERLOOKS BEAUTIFUL GARDENS ON THE HILLSIDE BELOW.
A PHOTO FROM INSIDE THE MEYER MAY HOUSE.
A PHOTO I TOOK INSIDE THE MEYER HOUSE, LOOKING TOWARD THE FIREPLACE -- STUNNING!

After thanking Doug for letting me see the Meyer House and saying my goodbyes, I walked back down to the Eppstein House to get settled in for the night and to explore the home.  The Eppstein house is unusual in a number of respects.  It has two living areas, at opposite ends of the house (Wright identifies the one farthest from the entry as a “family room), separated by four large bedrooms.  While the large living room has the customary grid lines in the floor, the hall, the bedrooms, and the family room have incomplete grid lines or none at all.  It was difficult to tell if the furniture was original, since much of it had legs that were unlike anything I have every seen on furniture designed by FLLW.  I enjoyed my stay here and was quite comfortable in the house.  But, to be honest, the feel of the house was very different from the Palmer House, as were the construction details —  kind of like going from driving a loaded Porche to a stripped down Chevrolet.  Below are a few of  the photos I  took.  For a more complete set of my photos take a look at the Eppstein House Gallery page. 

tHE EPPSTEIN HOUSE IN GALESBURG. THE CARPORT AND HIDDEN MAIN ENTRY IS STRAIGHT AHEAD. THE LARGE LIVING ROOM IS ON THE LEFT AND THE BEDROOM WING AND FAMILY ROOM IS TO THE RIGHT.
THE MAIN ENTRY TO THE EPPSTEIN HOUSE IS HIDDEN BEHIND THE PERFORATED BLOCK WALL.
LOOKING THROUGH THE LARGE LIVING ROOM OUT TO THE CIRCULAR PATIO.
THE LARGE CIRCULAR PATIO OUTSIDE OF THE MAIN LIVING ROOM AT THE EPPSTEIN HOUSE.
I STAYED IN THIS BEDROOM BECAUSE IT HAD A NICE LARGE WALK-IN SHOWER IN THE ATTACHED BATHROOM.
THIS PHOTOGRAPH OF MRS. EPPSTEIN AND HER CHILDREN AT THE CONSTRUCTION SITE WAS HANGING ON THE WALL IN THE BEDROOM WHERE i SPENT THE NIGHT.
THE EPPSTEIN HOUSE LIVING ROOM -- MY BACK IS TO THE WALL OF WINDOWS AND DOOR OUT TO THE CIRCULAR PATIO.
THE EPPSTEIN HOUSE KITCHEN IS UNDER SKYLIGHTS WHICH PROVIDE LOTS OF NATURAL LIGHT.